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Lakshminarayana Global Music Festival 2020

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Dr. L Subramanium and Kavita Krishnamurti at LGMF 2020 e1578286891470

29th Year of Lakshminarayana Global Music Festival 2020 was launched with its first concert yesterday at Siri Fort Auditorium, New Delhi.  It will be followed by Hyderabad on 6th January, Pune on 8th January, Bangalore on 15th January with Flamenco Dance performance and the festival will culminate on 16th January in Chennai with an Indian Classical Concert.

Symphony Orchestra of Castile and Leon from Spain

LGMF was started in 1992 by Viji and Dr. L. Subramaniam in the memory of his father, mentor and guru Prof.V. Lakshminarayana. This year’s LGMF is a musical tribute to Mahatma Gandhi to celebrate his 150th birth year and it was a great success. LGMF  helps to preserve and nurture Indian classical music for posterity. LGMF through global collaborations have taken special initiatives to inspire future generations of musicians to gain knowledge of different genre of music.

The Lakshminarayana Global Music Festival is an opportunity for the future generations to learn from maestros from around the world. 

Lakshminarayana Global Centre of Excellence (LGCE), was started by Dr. L. Subramaniam and Kavita Krishnamurti to bridge the gap between Gurukul and University education system, giving global exposure to undergraduate and graduate students with special focus on practical aspect of their music speciality, LGCE will give importance to performance training as much as theoretical education. 

Schott Music – the leading publisher for classical and contemporary music, has published many of the orchestral composition written for the festival by Dr. L Subramaniam.

Subramaniam Academy of Performing Arts (SaPa), founded by Dr. L. Subramaniam and Kavita Krishnamurti Subramaniam in 2007. It was their dream to create a home for global music in India.

SaPa is headed by Bindu and Ambi Subramaniam and is imparting music education to more than 30,000 children in various schools of the country. Since it’s inception, SaPa has been focused on nurturing the next generation of performers and creating global musical exchanges and dialogues.

Prof.V. Lakshminarayana believed that a person who wasn’t involved in some form of culture was never truly complete.

Following eminent guests were present at the concert:

1.    Mr Akhilesh Mishra- Director General, Indian Centre for Cultural Relations (ICCR)

2.     H.E. Mr. François Delhaye- Ambassador of Belgium

3.    Ignacio Vitórica Hamilton- First Secretary, Embassy of Spain

Dr L. Subramaniam said, “Lakshminarayana Global  Music Festival (LGMF) brings together the world’s greatest artists on one platform to spread awareness on global cultures to India and on Indian classical music abroad, globally

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Dr L. Subramaniam, Kavita Krishnamurti and Symphony Orchestra of Castile and Leon from Spain performed the following in concert:

1. J. Turina. La oración del torero  (Orchestra solo) 

2. Spring Rhapsody (Orchestra solo)- Composed by Dr. L. Subramaniam

Spring Rhapsody is a composition based on different South Indian classical ragas and changing rhythmic cycles, derived from South Indian tala systems. The harmony, which is used, is derived from the ragas, which enhances the Indian flavour and mood. This composition was commissioned by New England Conservatory and is dedicated to J. S. Bach. It is written for Woodwinds (Flute, Oboe and Clarinet) and strings. It,s in three movements- Rubato, Rubato espressivo and Allegro.

Movement one Rubato starts with Flute solo section, sounding like improvisation going into the rhythmic section and there are trade-offs between different Orchestral instruments ending with a rhythmic motif repeated three times. The second movement Rubato expressive starts in time signature 5/ 4 changing to 4/ 4, 3/ 4 etc. bringing in a serene mood. Third movement Allegro starts with changing time signatures and goes into a trade-off section between the woodwinds and the motif gets shorter leading to the recapitulation of the main theme. This piece is also classical contemporary composition based on Indian and western classical music using raga based harmony and complex rhythmic structure. Published by Schott Music International.

3. Raghupathi Raghava Raja Ram (Orchestra & Kavita Krishnamurti)

Raghupati Raghav Raja Ram (Ram Dhun) is a notable bhajan (devotional song) that was widely popularised by Mahatma Gandhi


4. Vaishnava Jana To (Orchestra & Kavita Krishnamurti)

Vaishnava Jana To, a bhajan was sung by Kavita ji. The poet Narsinh Mehta in the Gujarati language wrote this bhajan in the 15th century. This song became popular during the lifetime of Mahatma Gandhi and was rendered as bhajan in his Sabarmati Ashram by vocalists and instrumentalists like Gotuvadyam Narayana Iyengar. The poem speaks about the life, ideals and mentality of a Vaishnava Jana (a follower of Vishnu). It was popular among freedom fighters throughout India.

5. Jo Tum Todo (Orchestra & Kavita Krishnamurti)

Composed by Kavita Krishnamurti and arranged by Dr. L. Subramaniam


6. Nadapriya  (Orchestra & Dr. Subramaniam)

Nada Priya is a composition composed by Dr L. Subramaniam for Violin solo, Indian Percussion, Woodwinds and Strings. The composition is based on raga Harmony and the first moment starts with time signature 7,8 alternating 3,4 changing to 6,8 and 12,8 making it rhythmically interesting. First moment was based on Kanakangi, first of the 72 parent scales in South Indian classical music. Second moment started with viola section playing the theme based on 14th parent scale Vakulabharanam, and it created the impression of improvisation. This was further developed by the violin soloist and in the end the entire orchestra joined in the mainstream. Here once again there were different time signatures incorporated in the section.

The third moment was based on derived scale raga Shuddha Saveri of South Indian Classical music (Carnatic music) with quick change in time signatures. The cadenza which is improvised by the violin soloist followings which there’s a trade-off section between orchestra and violin soloists staring 3 notes per beat increasing in steps to 4,5,6,7 notes per beat. The performance ended with a rhythmic cadence. Published by Schott Music International.

The Regional Government of Castile and Leon formed the Symphony Orchestra of Castile and Leon from Spain in 1991. During the last two and a half decades, the Castile and Leon Orchestra has performed in hundreds of concerts together with a wide list of artists.

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Birla Cellulose’s Handloom Initiative Brings New Possibilities for Traditional Weaving

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Birla Cellulose sustainable Livaeco™ fibres supporting India’s handloom weavers

As India’s handloom sector balances the demands of tradition and market relevance, innovation is increasingly becoming a critical enabler of growth. Birla Cellulose is contributing to this transition by helping handloom clusters integrate sustainable cellulosic fibres such as LivaecoTM Viscose, LivaecoTM Modal and LivaecoTM Lyocell into their product offerings, allowing weavers to create fabrics that retain their artisanal appeal while responding to changing consumer expectations around comfort, affordability and sustainability. The effort is helping strengthen domestic textile value chains while opening new avenues for value creation across weaving communities.

Traditionally, handloom weaving in India has relied on cotton & silk yarns. However, the constant fluctuations in price & supply, compounded by changing consumer buying patterns require a stable supply of high-quality input materials. Birla Cellulose seeks to address this gap by enabling the use of high performance MMCF fibres namely viscose, modal and lyocell fibres. These fibres blended with the traditional fibres or even as standalone products help in crafting fabrics that retain the richness of handloom while delivering enhanced softness, drape, comfort and sustainability.

Birla Cellulose sustainable Livaeco™ fibres supporting India’s handloom weavers

The initiative goes beyond fibre adoption. It is built on a partnership-driven model that focuses on creating long-term value for the weaving community. Birla Cellulose has undertaken extensive yarn seeding programmes, provided technical support for dyeing and product development, facilitated product testing, and established supply mechanisms to ensure access to small quantities of yarn. Additional interventions, including cone-to-hank conversion facilities, have helped simplify adoption at the weaver level.

Assam emerged as the first pilot hub for the project, establishing a framework that is now being replicated across the country. The programme has expanded into Odisha, West Bengal, Gujarat, Madhya Pradesh and Uttar Pradesh, working alongside organisations such as ARTFED, KHAMIR, the Kutch Weavers Association and various state-supported handloom societies. From Silk x LivaecoTM Modal Chanderi fabrics in Madhya Pradesh to Banarasi blends with LivaecoTM Modal & LivaecoTM Lyocell in Varanasi, the initiative is accelerating product innovation rooted in regional craftsmanship.

Strengthening this effort further, Birla Cellulose has entered into a strategic collaboration with the State Agency for Development of Handloom Cluster (SADHAC), Odisha, through a Memorandum of Understanding (MoU) focused on developing innovative handloom fabrics using Livaeco™ Lyocell. The partnership aims to create a new generation of premium handloom textiles by blending Lyocell fibre with traditional handloom yarns, enabling artisans in Odisha and beyond to retain the authenticity and aesthetics of regional weaving traditions while introducing enhanced comfort, versatility and sustainability. By combining fibre innovation with centuries-old craftsmanship, the initiative seeks to make handloom products more relevant to the changing preferences of modern consumers.

Indian handloom weavers creating sustainable fabrics using Livaeco™ fibres

The collaboration is designed to unlock new design, product development and market opportunities for handloom clusters across Odisha, while strengthening the value proposition of handcrafted textiles. Formalised in the presence of Guha Poonam Tapas Kumar, IAS, Commissioner-cum-Secretary to Government, Handlooms, Textiles & Handicrafts Department, Government of Odisha, the partnership reflects a shared commitment to advancing Odisha’s handloom sector through sustainable fibre innovation. Through the integration of sustainable fibre technology, SADHAC and Birla Cellulose aim to promote environmentally responsible fabrics that appeal to consumers seeking products that balance cultural heritage with contemporary lifestyles. The partnership reflects a shared vision of revitalising India’s handloom sector by preserving Odisha’s rich weaving heritage and textile traditions while equipping artisan communities to compete in future-ready domestic and global markets.

Reflecting on the initiative, Manmohan Singh, Chief Marketing Officer, Birla Cellulose, says, ” Our partnerships represent a sustainable & high growth opportunity for small scale enterprises. By combining traditional weaving excellence with fibre innovation, weavers are able to harness the innovate faster, diversify offerings & are able to cater to the changing consumer preferences with greater agility.

The scale of engagement achieved over the past year highlights the momentum building across these clusters. More than 150 micro-meets and hub engagements have been conducted across states including Assam, Meghalaya, Mizoram, Gujarat, Odisha, Tamil Nadu and Uttar Pradesh. The programme has added over 80 partners, trained approximately 7,000 weavers, and expanded its footprint across multiple weaving districts and production centres. Today, nearly 3,500 tonnes of fibre and yarn are being consumed annually within the handloom ecosystem through these efforts.

For Birla Cellulose, the initiative represents a broader effort to strengthen India’s handloom ecosystem by creating opportunities for artisans while introducing fibres that align with evolving market expectations. As an India first brand, Birla Cellulose is nurturing domestic textile value chains by bringing together innovation and tradition. The result is not a reinvention of handloom, but a thoughtful evolution of it, ensuring that India’s weaving heritage remains relevant, competitive and accessible for generations to come.

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An Evening of Healing, Hope, and Humanity: The Healing Brush Unveiled at Delhi Golf Club

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Dr. Archana Singh speaking during The Healing Brush book launch at Delhi Golf Club.

As twilight settled over the greens of Delhi Golf Club, with peacocks calling freely and centuries-old tombs standing quietly in the background, the venue itself seemed to participate in the moment. Bathed in natural beauty and heritage charm, the evening unfolded in rare stillness and grace—amplifying the soulfulness and serenity that defined the launch of The Healing Brush – True Stories from the Edge of Life, an intensely personal and profoundly moving work by Dr. Archana Singh former Art Therapist, Fortis Hospital Gurgaon. Dr Archana has been working at the intersection of AI, public policy, gender, health, climate and education, creating the blueprint for change where it’s needed most.

SAYAN BAJAJ

The Book, Healing Brush, Stories From The Edge of Life is an intimate chronicle of survival, vulnerability, and the strength of art therapy in the darkest moments of life. It is a book about art therapy and the impact it can have on people suffering from terminal illness. It captured Dr. Singh’s experiences as the in-house art therapist of the Fortis Memorial Research Institute in Gurgaon. She worked mostly with children suffering from cancer, helping them overcome fear, anxiety and uncertainty. She imparted courage, helped remove mental blocks and most importantly, let the children play, paint and draw, adding cheer to their lives.

The book, a compilation of 17 true stories of patients who were greatly helped by Dr. Archana Singh  and art therapy, was launched formally  by the author’s mother and a panel of eminent doctors, all of whom had interacted with Dr. Singh during her time in Fortis. The presence of her mother as Chief Guest lent the occasion a deeply personal resonance, grounding the evening in gratitude, lineage, and love.

A panel discussion followed, with Ms Anna Roy, Program Director and Principal Economic Advisor at NITI Aayog; Dr. Satyaprakash Oncologist from Medanta – The Medicity; Dr. Nandini Hazarika Bone Marrow Transplant and Oncologist from Rainbow Children’s Hospital; and Dr. Ramneek Mahajan , Chief of Robotic Orthopaedics and Chairperson at Max Super Speciality Hospital, moderated by Dr. Archana Singh. Together, they emphasized that in critical and life-threatening illnesses, medical treatment alone is never enough. While medicine may heal the body, true recovery demands equal attention to the mind and spirit. The doctors unanimously highlighted the need for integrated support systems—counselling, mental health care, emotional guidance, and creative therapies—stressing that healing must be holistic, compassionate, and continuous, extending far beyond prescriptions and procedures.

Dr. Archana Singh speaking during The Healing Brush book launch at Delhi Golf Club.

At the emotional heart of the evening was the story of Sayan Bajaj. Diagnosed with blood cancer at the age of eight, Sayan found refuge in art therapy during his treatment in 2013. Through games and interactive session with the art therapist Dr. Archana Singh , he processed grief, fear, and isolation. Today, at 23, cancer-free and pursuing law, his presence embodied the promise of recovery shaped by compassion and creativity.

Equally moving were the reflections of Sayan’s parents, who shared how art therapy supported not only their child, but themselves—helping them navigate anxiety, uncertainty, and emotional exhaustion. They emphasised that supporting families of patients is as vital as treating patients, and urged hospitals to institutionalize art therapy as an essential support system alongside clinical care.

Adding another dimension to the evening was a therapeutic music session that gently dissolved boundaries between audience and experience. Guests like Cynthia Mc Caffrey Country Representative India, Joint Secretary Ms. Manmeet Nanda Ministry of Social Justice & Empowerment found themselves singing, swaying, and smiling—rediscovering stillness and joy in the present moment.

The collective rhythm became a reminder that it’s important for each person to feel connected to themselves and to one another in this digitally pervasive day and age. The conversation resonated with national priorities, echoing the 2026 Union Budget’s emphasis on mental health for the first time in Indian history, Highlighting how emotional well-being is now central to GoI’s vision for youth empowerment, employability, and social resilience—particularly in an age shaped by digital isolation, psychological stress, and rising vulnerability among young people.

Against this backdrop, The Healing Brush emerged as both a memoir and a movement—a call to recognize mental and emotional care as foundational to sustainable development and humane healthcare.

More than a literary launch, the event was a testament to how stories—when told with honesty—can restore dignity, inspire policy, and reimagine healing.

The Healing Brush – True Stories from the Edge of Life is now available on Amazon.

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Lighting the Fifth Wall: The Chromatic Iris by 6Hues Architecture Studio

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Lighting the fifth wall

Siliguri, March 2025: For over thirteen years, Siliguri-based designer Aayush Arya has been shaping refined residential spaces through his firm, 6Hues Architecture Studio. Known for merging luxury aesthetics with intelligent functionality, the studio specialises in high-end homes that feel both contemporary and deeply personal. Aayush is also an advocate for smart living, integrating advanced automation into his projects through his technology venture, Relay Automation.

Their latest creation, The Chromatic Iris, blurs the boundary between architectural lighting and digital art. Designed as a custom radial stretch-ceiling installation for immersive spaces like home cinemas, the fixture appears sleek and minimal by day. Powered by advanced DMX (Digital Multiplex) technology — commonly used in concert stage lighting — each segment of the installation can be individually addressed and programmed. This allows for seamless animations: from turbine-like motion effects to soft breathing gradients or deep monochromatic moods.

More than a light fixture, The Chromatic Iris transforms the ceiling into a dynamic canvas. It elevates the experience of a space — turning movie nights into cinematic events and everyday interiors into immersive environments. With this innovation, 6Hues Architecture Studio once again demonstrates how technology, design, and emotion can come together to redefine modern living.

Address:
6Hues Architecture Studio
Fourth Floor, Sapphire Square
Check Post, Siliguri WB 734001

Contact number: 9800 400 600
Instagram: 6hues.id
Website: 6hues.com

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