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Lakshminarayana Global Music Festival 2020

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29th Year of Lakshminarayana Global Music Festival 2020 was launched with its first concert yesterday at Siri Fort Auditorium, New Delhi.  It will be followed by Hyderabad on 6th January, Pune on 8th January, Bangalore on 15th January with Flamenco Dance performance and the festival will culminate on 16th January in Chennai with an Indian Classical Concert.

LGMF was started in 1992 by Viji and Dr. L. Subramaniam in the memory of his father, mentor and guru Prof.V. Lakshminarayana. This year’s LGMF is a musical tribute to Mahatma Gandhi to celebrate his 150th birth year and it was a great success. LGMF  helps to preserve and nurture Indian classical music for posterity. LGMF through global collaborations have taken special initiatives to inspire future generations of musicians to gain knowledge of different genre of music.

The Lakshminarayana Global Music Festival is an opportunity for the future generations to learn from maestros from around the world. 

Lakshminarayana Global Centre of Excellence (LGCE), was started by Dr. L. Subramaniam and Kavita Krishnamurti to bridge the gap between Gurukul and University education system, giving global exposure to undergraduate and graduate students with special focus on practical aspect of their music speciality, LGCE will give importance to performance training as much as theoretical education. 

Schott Music – the leading publisher for classical and contemporary music, has published many of the orchestral composition written for the festival by Dr. L Subramaniam.

Subramaniam Academy of Performing Arts (SaPa), founded by Dr. L. Subramaniam and Kavita Krishnamurti Subramaniam in 2007. It was their dream to create a home for global music in India.

SaPa is headed by Bindu and Ambi Subramaniam and is imparting music education to more than 30,000 children in various schools of the country. Since it’s inception, SaPa has been focused on nurturing the next generation of performers and creating global musical exchanges and dialogues.

Prof.V. Lakshminarayana believed that a person who wasn’t involved in some form of culture was never truly complete.

Following eminent guests were present at the concert:

1.    Mr Akhilesh Mishra- Director General, Indian Centre for Cultural Relations (ICCR)

2.     H.E. Mr. François Delhaye- Ambassador of Belgium

3.    Ignacio Vitórica Hamilton- First Secretary, Embassy of Spain

Dr L. Subramaniam said, “Lakshminarayana Global  Music Festival (LGMF) brings together the world’s greatest artists on one platform to spread awareness on global cultures to India and on Indian classical music abroad, globally

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Dr L. Subramaniam, Kavita Krishnamurti and Symphony Orchestra of Castile and Leon from Spain performed the following in concert:

1. J. Turina. La oración del torero  (Orchestra solo) 

2. Spring Rhapsody (Orchestra solo)- Composed by Dr. L. Subramaniam

Spring Rhapsody is a composition based on different South Indian classical ragas and changing rhythmic cycles, derived from South Indian tala systems. The harmony, which is used, is derived from the ragas, which enhances the Indian flavour and mood. This composition was commissioned by New England Conservatory and is dedicated to J. S. Bach. It is written for Woodwinds (Flute, Oboe and Clarinet) and strings. It,s in three movements- Rubato, Rubato espressivo and Allegro.

Movement one Rubato starts with Flute solo section, sounding like improvisation going into the rhythmic section and there are trade-offs between different Orchestral instruments ending with a rhythmic motif repeated three times. The second movement Rubato expressive starts in time signature 5/ 4 changing to 4/ 4, 3/ 4 etc. bringing in a serene mood. Third movement Allegro starts with changing time signatures and goes into a trade-off section between the woodwinds and the motif gets shorter leading to the recapitulation of the main theme. This piece is also classical contemporary composition based on Indian and western classical music using raga based harmony and complex rhythmic structure. Published by Schott Music International.

3. Raghupathi Raghava Raja Ram (Orchestra & Kavita Krishnamurti)

Raghupati Raghav Raja Ram (Ram Dhun) is a notable bhajan (devotional song) that was widely popularised by Mahatma Gandhi


4. Vaishnava Jana To (Orchestra & Kavita Krishnamurti)

Vaishnava Jana To, a bhajan was sung by Kavita ji. The poet Narsinh Mehta in the Gujarati language wrote this bhajan in the 15th century. This song became popular during the lifetime of Mahatma Gandhi and was rendered as bhajan in his Sabarmati Ashram by vocalists and instrumentalists like Gotuvadyam Narayana Iyengar. The poem speaks about the life, ideals and mentality of a Vaishnava Jana (a follower of Vishnu). It was popular among freedom fighters throughout India.

5. Jo Tum Todo (Orchestra & Kavita Krishnamurti)

Composed by Kavita Krishnamurti and arranged by Dr. L. Subramaniam


6. Nadapriya  (Orchestra & Dr. Subramaniam)

Nada Priya is a composition composed by Dr L. Subramaniam for Violin solo, Indian Percussion, Woodwinds and Strings. The composition is based on raga Harmony and the first moment starts with time signature 7,8 alternating 3,4 changing to 6,8 and 12,8 making it rhythmically interesting. First moment was based on Kanakangi, first of the 72 parent scales in South Indian classical music. Second moment started with viola section playing the theme based on 14th parent scale Vakulabharanam, and it created the impression of improvisation. This was further developed by the violin soloist and in the end the entire orchestra joined in the mainstream. Here once again there were different time signatures incorporated in the section.

The third moment was based on derived scale raga Shuddha Saveri of South Indian Classical music (Carnatic music) with quick change in time signatures. The cadenza which is improvised by the violin soloist followings which there’s a trade-off section between orchestra and violin soloists staring 3 notes per beat increasing in steps to 4,5,6,7 notes per beat. The performance ended with a rhythmic cadence. Published by Schott Music International.

The Regional Government of Castile and Leon formed the Symphony Orchestra of Castile and Leon from Spain in 1991. During the last two and a half decades, the Castile and Leon Orchestra has performed in hundreds of concerts together with a wide list of artists.

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When a Basin Becomes Architecture: Valueline Unveils Talea by Hatria

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New Delhi, May 2026: Valueline, a pioneer in premium home solutions since 2001, introduces the Talea basin collection by Hatria, bringing a distinctly sculptural approach to the wash space. Known for its precision-led manufacturing and refined surface finishes, Hatria continues to draw from advanced production technologies and a responsible approach to material use, ensuring both performance and longevity.

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Water, in its quiet rhythm, shapes the way a space is used and understood. The basin, often approached as a utilitarian element, has the potential to hold far greater presence through form, proportion, and the way it engages with light and touch.

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The Talea collection is shaped by an idea of continuity, of forms that evolve rather than repeat. Its design takes cues from the act of propagation, where something grows outward while remaining connected to its origin. This thinking is reflected in the basin’s profile, which opens gently from its base into a wider, expressive form. The structure feels grounded yet fluid, carrying a sense of movement without excess.

Valueline

There is a deliberate weight to the piece. The volume is solid, almost architectural, allowing it to hold its own within a space. At the same time, the contours remain soft enough to invite use, creating a balance between presence and comfort. Light travels easily across its surface, accentuating the precision of its finish and the clarity of its lines. Beyond form, the collection reflects Hatria’s focus on efficient production and sustainable processes, where material is used with care and waste is kept to a minimum. The result is a basin that is considered in both design and making.

Available at Valueline, Hatria’s Talea, wash basin moves beyond function, becoming a composed element within the interior defined by structure, material, and a quiet sense of intent.

About Valueline

Since 2001, Valueline has been at the forefront of enhancing the lifestyle, health, and wellness of its discerning clients with a portfolio of luxury products from renowned international brands known for refined design and supreme quality. With its expertise in curating world-class sanitaryware, bath fittings, wellness products, tiles, wooden flooring, aluminium windows and doors, Valueline has brought sophisticated elegance to India. Their exclusive product range has been integral to numerous iconic projects nationwide, reflecting their commitment to excellence and unmatched customer service. With the offer of a 24/7 customer care service, Valueline’s reputation as a trusted leader synonymous with innovation, reliability and impeccable  craftsmanship, complemented by their unique collection of international luxury products, has been well established.

Availability

Address: Second Floor, Khasra No. 356-357, Sultanpur Village, M.G Road, Tehsil Mehrauli, New Delhi-110030

craftsmanship, complemented by their unique collection of international luxury products, has
been well established.
Availability
Address: Second Floor, Khasra No. 356-357, Sultanpur Village, M.G Road, Tehsil Mehrauli,
New Delhi-110030

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“Continuum” Brings Art Into Living Spaces Through an Immersive Showcase

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Continuum art exhibition at The Art Hub Gallery Gurgaon featuring immersive installations and artworks displayed across living spaces including rooms, hallways, and outdoor areas.

Continuum, an immersive art exhibition curated by Gauri Minocha, successfully previewed on 11 April 2026 at The Art Hub Gallery, Gurgaon. The exhibition runs from 12 April to 1 May 2026 and marks a new chapter, inviting audiences to experience art in a thoughtfully designed domestic setting that encourages a more personal, lived engagement.

Unfolding across rooms, hallways, stairways, terraces, and lawns, each space becomes an active site of interaction. This fluid spatial narrative mirrors the rhythms of everyday life—encouraging moments of rest, reflection, transition, and conversation, while allowing viewers to encounter art in an intimate and immersive manner.

Bringing together nearly 100 artworks, Continuum presents a carefully curated selection of South Asian artists across generations, ranging from modern masters to contemporary practitioners. Moving away from a linear curatorial framework, the exhibition creates intergenerational dialogues, placing works in conversation across time, mediums, and artistic approaches. These juxtapositions generate meaningful intersections between tradition and experimentation, memory and immediacy.

The exhibition features a diverse and expansive roster of artists including Avijit Roy, Badri Narayan, Bazil Habib, Deepak Kaushlya, Dharmanarayan Dasgupta, Francis Newton Souza, Ganesh Haloi, Hadia Hassan, Haneen Almoosawi, Jamini Roy, Jogen Chowdhury, Kanchan Chander, Kumari Nahappan, Lalu Prasad Shaw, Madhuri Bhaduri, Pallav Chander, Prakash Karmakar, Rabin Mondal, Ram Kumar, Ramkinkar Baij, Sanjay Kumar, Shakil Solanki, Simran KS Lamba, Somnath Hore, Sonaly Gandhi, Suhas Roy, Susanta Das, Tahira Noreen, The Art Hub Designs, Thilini Jinadasa, and Vivan Sundaram, among others—spanning generations, geographies, and artistic disciplines.

By situating artworks within lived interiors as well as open-air settings, Continuum dissolves boundaries between art and everyday life, as well as between interior and exterior, and private and public spaces. The exhibition encourages a slower, more contemplative mode of viewing—where art is experienced not in isolation, but as part of a continuous, evolving environment.

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From Social Stigma to Olympic Glory: Dreamers Chronicles Sakshi Malik’s Fight to Redefine Wrestling for Girls

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Dreamers-The Storytelling Series, helmed by celebrated storyteller Sudhanshu Rai, returns with a powerful third episode that chronicles the extraordinary journey of India’s wrestling icon, Sakshi Malik, a story of belief, defiance, setbacks, and historic triumph.

https://youtube.com/watch?v=LewXq-HEGMA%3Fsi%3D_GqGcsdG6j4iD73O

In this deeply moving episode, Sudhanshu Rai brings to life Sakshi Malik’s early childhood, highlighting how her grandparents were the first to recognize her exceptional talent. Long before medals and podiums, it was their unwavering faith that nurtured a fearless young girl who dared to step onto the wrestling mat, often against boys, and stunned onlookers with her strength and skill at a time when many believed wrestling was “not a sport for women.”

The episode vividly captures the social barriers Sakshi confronted as she challenged entrenched stereotypes and proved, bout after bout, that wrestling belonged to women as much as men. Her journey didn’t just redefine perceptions, it paved the way for countless young girls who dreamed of a career in wrestling but hesitated under the weight of societal expectations. Sakshi Malik became a symbol of possibility, courage, and change.

The narrative then turns to her historic achievement as the first Indian woman wrestler to win an Olympic medal, a moment that reshaped Indian sports history and inspired a generation. Yet, Dreamers does not shy away from the harder chapters. Rai sensitively explores Sakshi’s period of struggle, when losses, even to her juniors, tested her resolve and threatened to dim her fighting spirit.

What follows is a stirring account of resilience and comeback. Rising from adversity, Sakshi Malik reclaimed her place at the top with a gold medal victory at the Commonwealth Games 2022, reaffirming her legacy not just as a champion, but as a relentless fighter who refused to give up.

Speaking about the episode, Sudhanshu Rai said, “Sakshi Malik’s story is not just about medals, it’s about mindset. It’s about family belief, social change, failure, and the courage to rise again. Dreamers exists to tell such stories that remind us why dreams matter.”

The new episode of Dreamers: The Storytelling Series stands as a tribute to every young girl who dares to dream beyond limitations, and to a champion who showed them the way.

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