Events
Awakening the Divine: Exploring the Essence of Hindu Poojas

Hindu prayer (puja) is an effective means of cultivating action, devotion, knowledge, and focus. Click on any pooja that interests you for more details of what materials will be necessary.
Hindu festivals follow the lunar-solar calendar. Masa is a lunar month, while paksha and tithi represent lunar fortnights and days respectively.
Tulsi Pujan Diwas
Tulsi Pujan Diwas, also known as Holy Basil Day, is an important Hindu festival honoring spirituality, nature, and cultural heritage. This day-long event involves elaborate rituals and ceremonies intended to sanctify the Tulsi plant and invoke goddess Tulsi and Lord Vishnu’s blessings – such as circumambulating it seven times while reciting mantras or prayers; devotees also light diyas around its base in order to bring an atmosphere of positivity.
Tulsi Pujan Diwas finds its roots in the legendary tale of Vrinda, wife of demon king Jalandhar. According to this tale, Jalandhar became invincible thanks to Vrinda’s purity and devotion; so gods asked Lord Vishnu for help to end Jalandhar’s reign; to do this he used trickery against Vrinda which resulted in him violating her vow of chastity which ultimately resulted in demon’s defeat remorsefully Lord Vishnu transformed her into Tulsi plant!
Naga Panchami
Naga Panchami is an annual Hindu festival commemorating snake and serpent deities. Held annually during the July-August lunar month Shravana (July-August), rituals and offerings performed on this day aim to appease these deities and gain their blessing for health, wealth, and prosperity.
This day is also significant astrologically, as it marks the conjunction of Rahu and Ketu – shadow planets that represent serpentine energy in Vedic Astrology – which can cause sickness, poverty, and misfortune in one’s life. Thus this puja serves as an effective way of dispelling their harmful influences.
Hindu mythology considers snakes (nagas) holy because of their connection to Brahma, Vishnu, and Mahesh – Brahma sleeping on Shesha while Shiva keeping Vasuki on his neck is further evidence. Furthermore, providing milk offerings to snakes may protect one against snake bites that cause deaths globally; many cultures believe offering milk to these reptiles provides protection.
Raksha Bandhan
Raksha Bandhan (or “the knot of protection”) marks an annual festival to honor and strengthen brother-sister bonds. Held during full moon day in the Shravana month of the Hindu lunar calendar, sisters tie rakhi bracelets around their brother’s wrists as a gesture of love and protection; brothers pledge their devotion by donning one themselves. This promise stems from Draupadi who tied a piece of her saree around Lord Krishna’s cut finger to stop its bleeding; Krishna then promised his protection by promising his lifelong devotion vowed always to protect her in return vowed his lifelong devotion vowed protection upon her actions vowed that Draupadi would always protect him – thus renewing this promise!
Raksha Bandhan begins by creating a small pooja thali filled with an oil lamp (diya), vermilion powder (roli), rice, sweets, and rakhi. Sisters then perform an aarti before their brothers by gently waving the lamp and dotting their foreheads with vermilion powder before gently tying rakhi around their wrists offering prayers for health and success as gifts are exchanged between brothers and sisters.
Deepavali
Puja is an integral component of Hindu worship that helps convey devotion while upholding cultural traditions and rituals. From simple prayer services led by individual worshippers to elaborate ceremonies performed with Brahmin priests, puja provides an avenue for Hindus to show their reverence for one another and their beliefs.
Pooja typically involves worshipping an image or icon of a deity, called murtis, as a focal point for meditation and prayer. These murtis can take many forms: three-dimensional carving or sculpture, photo, flat engraving (bimba) or painting are just some examples. Sometimes, however, puja utensils also serve double duty by being used for cooking food service or serving up dessert – or be used solely as decorative objects such as flowers, fruits and sweets!
Hindu rituals typically occur at temples or shrines; however, online puja is becoming increasingly common among Hindus. Some have claimed that online puja can democratize worship by making it possible for women, low-caste individuals, non-Indians, and others unable to travel physically to attend in person to still make offerings; others argue that companies supporting these services still impose limitations on who can offer what to which image.
Bhai Dooj
Pooja, or worship services in Hinduism, are an integral component of worshipping deities and allow devotees to express their devotion, seek blessings, and deepen their spiritual bond with the divine. Puja services usually take place in a special room dedicated to the god or goddess being honored and can include lighting incense sticks and ringing brass bells; or applying blood-red vermillion paste or “kumkum” directly onto an image being worshipped.
Bhai Dooj, also known as Bhau Beej and Bhrathri Dwitiya is the final day of Diwali festivities and celebrates the special relationships among siblings. This year it will take place on November 3rd.
This festival takes its name from an ancient legend about Lord Krishna’s sister Subhadra who received him with love and devotion before promising him protection in return. As an act of gratitude to this promise, sisters smudge vermilion onto their brothers’ foreheads and perform an Aarti together; furthermore, they give gifts and pray for their well-being – this ritual celebrates sibling love while strengthening family ties.
Events
The Riviera Rewritten: Cannes 2026’s Most Arresting Fashion Moments

CROISETTE CHRONICLES — PART II
“Sun, Silk & Studied Chaos”
If the first week of Cannes 2026 whispered, the second week grabbed you by the collar.

A blush-pink strapless column gown arrived on the Croisette with the kind of quiet ferocity only a seasoned red carpet can absorb. Pearl-scattered at the bust, its satin surface caught every camera flash. It was paired with a voluminous silver-grey cocoon coat draped off both shoulders — not worn, deployed. Chandelier diamonds framed the ears, stacked rings adorned both hands, and sleekly pulled-back hair revealed a razor-sharp jawline. This was old Hollywood reconstructed by someone who found the original too polite.

Then came the moment that stopped the Croisette mid-scroll: a chartreuse pleated one-shoulder gown, its fabric engineered into deep diagonal ridges sweeping from a sculpted shoulder down to a dramatic thigh-high slit. Photographed against palm trees and Mediterranean light, it looked less like an outfit and more like a natural phenomenon — moss-coloured, elemental, inevitable. A single emerald pendant rested at the throat. Loose waves, barely tamed, completed the look. The overall effect? A woman who dressed for the landscape, not the photographers — and somehow captivated both.

Beside the sea, another story unfolded. A dark sequinned gown — midnight black fading into deep magenta — was worn against the backdrop of open water. Hair loosened by the wind, a glance thrown back over one bare shoulder. Delicate crystal chains descended the open back like jewellery transformed into architecture. No carpet, no crowd. Just Riviera light and the confidence to command it entirely.

Then came the cultural statement that deserved its own paragraph: a halter-neck anarkali of extraordinary intricacy. Silver and blush floral embroidery spread across ivory silk, while a heavily diamond-encrusted halter neckline functioned as both collar and jewel. A maang tikka and oversized jhumkas completed a look worthy of museum display. A blush dupatta trailed behind with quiet drama. This was Indian couture presented not as a translation for a Western audience, but entirely on its own terms — unapologetic, uncompromising, and self-assured.
Finally, there was the fashion commentator who became the story. A multicoloured embroidered bandhgala blazer — alive with iridescent threadwork in mauve, teal, and gold — was paired with plum trousers and a galaxy of statement rings. Frameless glasses added restraint to the visual richness, while the smile carried a different message altogether: I dressed for myself first. At Cannes, where everyone performs for someone, that may be the most radical statement of all.
“The Riviera didn’t dress them. They dressed the Riviera.”
Events
Fashion Designer Amit GT and Le Marquise Jewellery by Jasmine Gulati Jain and Sambhav Jain Showcase Excellence Under the Golden Lumière Awards at the 79th Festival de Cannes 2026 Show Directed by Liza Varma

As part of India’s multi-platform presence at the 79th Festival de Cannes 2026, internationally renowned Show Director Liza Varma from India led a delegation of Indian designers and jewellery labels at the Fashion TV Presentation held on 18th May 2026 at the Majestic Hotel, Cannes, at 9:30 PM (CEST).
The showcase featured celebrated Indian designer Amit GT along with Le Marquise Jewellery by Jasmine Gulati Jain and Sambhav Jain, presenting a curated display of fashion and jewellery that reflected contemporary Indian design sensibilities on an international platform. Amit GT’s showcase was presented under the prestigious Golden Lumière Awards Cannes 2026, hosted at the Majestic Hotel Beach, Cannes.

The Golden Lumière Awards show is hosted at the Majestic Hotel Beach, Cannes2026, where cinema meets luxury, celebrating outstanding personalities from international cinema along with visionary business leaders supporting art, culture, cinema, and the future generation of creators. The grand evening was attended by international personality Farhana Bodi and actress Urvashi Rautela, while actress Pooja Batra. The event was produced by Anna Neneman from ENW Showroom.

Speaking about the showcase, Liza Varma said, “My focus is to create opportunities for Indian designers and talent to present their work in international environments. Cannes provides an important global platform to showcase the strength of Indian fashion, craftsmanship, and creative talent before an international audience.”
Held alongside the 79th edition of the Cannes Film Festival 2026, the presentation formed part of a larger initiative led by Liza Varma to create global visibility for Indian designers, jewellery labels, and creative talent through curated showcases and international collaborations at Cannes.
Events
“Echoes of Past and Future” Opens a Dialogue Between Generations of Indian Art at Divine Art Gallery, New Delhi

Echoes of Past and Future, a group exhibition of modern and contemporary art, opened with a preview on Friday, 24 April 2026 at Divine Art Gallery, New Delhi. The exhibition is now open to the public and will remain on view until 10 May 2026.
Bringing together an exceptional selection of works, the exhibition features celebrated Indian modernists including S.H. Raza, Ram Kumar, F.N. Souza, Krishen Khanna, Sunil Das, A. Ramachandran, Paramjit Singh, Anjolie Ela Menon, Manu Parekh, and Himmat Shah, among others. It also showcases significant works by senior contemporary artists, including Yusuf and Ashok Bhowmick.
The exhibition presents a diverse range of artistic expressions through paintings, drawings, and sculptures, offering a dialogue between different periods and practices in Indian art. By placing works of modern masters alongside those of later generations, the show highlights both continuity and transformation in artistic language.
Anjolie Ela Menon’s contemplative figures evoke quiet introspection, while Manu Parekh’s vibrant landscapes convey intensity and movement. Sculptural works by Himmat Shah contribute a strong tactile and material dimension, enriching the visual experience. Together, the artworks create a dynamic interplay of styles, themes, and sensibilities.
Echoes of Past and Future invites viewers to reflect on the evolution of Indian modern and contemporary art, tracing its journey across time while pointing toward future directions and emerging possibilities.
Sumit Thakur, Founder of Divine Art Gallery, said, “Echoes of Past and Future brings together some of the most prominent voices in Indian modern and contemporary art, creating a meaningful dialogue across generations. By presenting works of masters alongside those of later artists, the exhibition reflects both continuity and evolution in artistic expression, offering viewers an opportunity to expand their understanding of diverse visual languages and to experience a rich artistic legacy that continues to influence contemporary practice.”
Exhibition Details:
Title: Echoes of Past and Future
Dates: 24 April – 10 May 2026
Timings: 11:00 AM – 7:00 PM (Open Daily)
Venue: Divine Art Gallery, F-213A, Old M.B. Road, Lado Sarai, New Delhi – 110030
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