Events

BML Munjal University institutes School of Liberal Studies Conversations;

Published

2 years ago

April 24, 2024

BML Munjal University institutes School of Liberal Studies Conversations; organizes the Inaugural Edition on ‘Hindi: Vaad-Vivaad-Samvaad’

Moderated by historian Salil Misra, the first session of the prestigious forum had veteran journalist Mrinal Pande and Hindi poet-critics Ashok Vajpeyi and Asad Zaidi discussing the evolution of Hindi language, its contestations, and multiplicity.

New Delhi, April 24, 2024: BML Munjal University, a Hero Group initiative, instituted a prestigious forum the School of Liberal Studies (SoLS) Conversations – a forum for deliberating and engaging with complex issues and evolving situations in the contemporary world. On the occasion, BML Munjal University organized the inaugural session of SoLS Conversations on the topic, ‘Hindi: Vaad-Vivaad-Samvaad,’ at the Kamladevi Complex of the India International Centre (IIC) in Delhi, triggering a nuanced discussion on Hindi language, its Evolution, Contestations and Multiplicity. The forum was inaugurated by Ms. Swati Munjal, President, BML Munjal University and Sunil Kant Munjal, BMU Chancellor.

Shyam Menon, Vice Chancellor, BML Munjal University stated, “With Law and Liberal Studies, we were keen that the university should make its presence felt in the intellectual sphere of the city of Delhi.SoLS is looking to create public for this purpose. Conversation is a dying art form in the midst of today’s polemics and television debates. We have forgotten the skill of deep listening as unhurried listening, thoughtful interventions, without certitudes and loud assertions but with the hope of attaining a higher equilibrium when something creative emerges.”

Reflecting on the importance of SoLS Conversations, Arindam Banerjee, Dean, School of Liberal Studies, BML Munjal University commented, “The SoLS Conversations represents a forum for deliberating and engaging with complex issues and evolving situations in the contemporary world. In an increasingly polarized and fast world that we live in, it is felt that there is need to nurture spaces where one can patiently engage with the nuances of various social and human issues. Needless to say, an ethos of dialogue and respectful disagreements form the core values of any democratic civilization.”

The session of ‘Hindi: Vaad-Vivaad-Samvaad was embellished by the presence of distinguished panelists and experts of the subject. Moderated by renowned historian of Indian national movement, partition and language, Salil Mishra, the esteemed panelists for the session included Hindi poet-critic and editor-translator Ashok Vajpeyi, veteran journalist, television personality and author Mrinal Pande, and Hindi poet, critic and translator Asad Zaidi.

In an insightful and engaging discussion, the esteemed panelists deep dived into various complexities around the Hindi language, discussing the self-image and internal diversity of the language; its journey since the 19th century, including various alliances, rivalries, inclusions and exclusions; Hindi’s relationship with other languages; and issues pertaining to pedagogy and Hindi journalism over the past few decades.

Conceptualized with the intention to nurture spaces for open discussion, the SoLS Conversations intends to emerge as a key forum that fosters the ethos of dialogue and respectful disagreements, which form the core-values of any democratic civilization. In a rapidly changing world with novel challenges for humankind and nature, SoLS Conversations aims to participate and contribute to public discourses on the most important issues of our times.

The SoLS Conversations forum will continue to explore diverse themes and issues, providing a platform for insightful discussions, exchange of ideas, and collective learning. The platform is envisioned as an effort by BML Munjal University to foster informed and balanced conversations on public discourses on the most important issues of our times.

About BML Munjal University

Named after the late Founder Chairman of the Hero Group, BML Munjal University (BMU) is a unique not-for-profit initiative founded by the promoters of the Hero Group. BMU is engaged in creating, preserving, and imparting internationally benchmarked knowledge and skills. The university seeks to transform higher education in India by creating a world-class innovative teaching, learning, and research environment. It envisions becoming a nursery for the leaders of tomorrow and a repository of knowledge. The School of Management at BML Munjal University has been ranked 72nd among all management institutions in India in the NIRF Rankings 2023. It has also attained the Diamond subject rating by QS I-Gauge. It has been nationally ranked #6 and #1 in Haryana among India’s Top Private Engineering & Technology Universities in the Education World India Higher Education Rankings, 2023-24. The University has received an esteemed A grade accreditation from NAAC.

The University offers undergraduate to doctoral programmes comprising BA (Hons) Liberal Arts, BBA, BCom (Hons), BA LLB (Hons), BBA LLB (Hons), BBA-MBA Integrated Programme, B.Tech at the undergraduate level, and MBA, LLB and Ph.D. at the postgraduate level.

Related Topics:BML Munjal University Vaad Vivaad Smvaad

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The Riviera Rewritten: Cannes 2026’s Most Arresting Fashion Moments

Published

2 weeks ago

May 25, 2026

Anushka Thapliyal

CROISETTE CHRONICLES — PART II

“Sun, Silk & Studied Chaos”

If the first week of Cannes 2026 whispered, the second week grabbed you by the collar.

A blush-pink strapless column gown arrived on the Croisette with the kind of quiet ferocity only a seasoned red carpet can absorb. Pearl-scattered at the bust, its satin surface caught every camera flash. It was paired with a voluminous silver-grey cocoon coat draped off both shoulders — not worn, deployed. Chandelier diamonds framed the ears, stacked rings adorned both hands, and sleekly pulled-back hair revealed a razor-sharp jawline. This was old Hollywood reconstructed by someone who found the original too polite.

Then came the moment that stopped the Croisette mid-scroll: a chartreuse pleated one-shoulder gown, its fabric engineered into deep diagonal ridges sweeping from a sculpted shoulder down to a dramatic thigh-high slit. Photographed against palm trees and Mediterranean light, it looked less like an outfit and more like a natural phenomenon — moss-coloured, elemental, inevitable. A single emerald pendant rested at the throat. Loose waves, barely tamed, completed the look. The overall effect? A woman who dressed for the landscape, not the photographers — and somehow captivated both.

Beside the sea, another story unfolded. A dark sequinned gown — midnight black fading into deep magenta — was worn against the backdrop of open water. Hair loosened by the wind, a glance thrown back over one bare shoulder. Delicate crystal chains descended the open back like jewellery transformed into architecture. No carpet, no crowd. Just Riviera light and the confidence to command it entirely.

Then came the cultural statement that deserved its own paragraph: a halter-neck anarkali of extraordinary intricacy. Silver and blush floral embroidery spread across ivory silk, while a heavily diamond-encrusted halter neckline functioned as both collar and jewel. A maang tikka and oversized jhumkas completed a look worthy of museum display. A blush dupatta trailed behind with quiet drama. This was Indian couture presented not as a translation for a Western audience, but entirely on its own terms — unapologetic, uncompromising, and self-assured.

Finally, there was the fashion commentator who became the story. A multicoloured embroidered bandhgala blazer — alive with iridescent threadwork in mauve, teal, and gold — was paired with plum trousers and a galaxy of statement rings. Frameless glasses added restraint to the visual richness, while the smile carried a different message altogether: I dressed for myself first. At Cannes, where everyone performs for someone, that may be the most radical statement of all.

“The Riviera didn’t dress them. They dressed the Riviera.”

Events

Fashion Designer Amit GT and Le Marquise Jewellery by Jasmine Gulati Jain and Sambhav Jain Showcase Excellence Under the Golden Lumière Awards at the 79th Festival de Cannes 2026 Show Directed by Liza Varma

Published

2 weeks ago

May 25, 2026

Neha Tyagi

As part of India’s multi-platform presence at the 79th Festival de Cannes 2026, internationally renowned Show Director Liza Varma from India led a delegation of Indian designers and jewellery labels at the Fashion TV Presentation held on 18th May 2026 at the Majestic Hotel, Cannes, at 9:30 PM (CEST).

The showcase featured celebrated Indian designer Amit GT along with Le Marquise Jewellery by Jasmine Gulati Jain and Sambhav Jain, presenting a curated display of fashion and jewellery that reflected contemporary Indian design sensibilities on an international platform. Amit GT’s showcase was presented under the prestigious Golden Lumière Awards Cannes 2026, hosted at the Majestic Hotel Beach, Cannes.

The Golden Lumière Awards show is hosted at the Majestic Hotel Beach, Cannes2026, where cinema meets luxury, celebrating outstanding personalities from international cinema along with visionary business leaders supporting art, culture, cinema, and the future generation of creators. The grand evening was attended by international personality Farhana Bodi and actress Urvashi Rautela, while actress Pooja Batra. The event was produced by Anna Neneman from ENW Showroom.

Speaking about the showcase, Liza Varma said, “My focus is to create opportunities for Indian designers and talent to present their work in international environments. Cannes provides an important global platform to showcase the strength of Indian fashion, craftsmanship, and creative talent before an international audience.”

Held alongside the 79th edition of the Cannes Film Festival 2026, the presentation formed part of a larger initiative led by Liza Varma to create global visibility for Indian designers, jewellery labels, and creative talent through curated showcases and international collaborations at Cannes.

Events

“Echoes of Past and Future” Opens a Dialogue Between Generations of Indian Art at Divine Art Gallery, New Delhi

Published

4 weeks ago

May 9, 2026

Admin

Generations of Indian Art at Divine Art Gallery, New Delhi

Echoes of Past and Future, a group exhibition of modern and contemporary art, opened with a preview on Friday, 24 April 2026 at Divine Art Gallery, New Delhi. The exhibition is now open to the public and will remain on view until 10 May 2026.

Bringing together an exceptional selection of works, the exhibition features celebrated Indian modernists including S.H. Raza, Ram Kumar, F.N. Souza, Krishen Khanna, Sunil Das, A. Ramachandran, Paramjit Singh, Anjolie Ela Menon, Manu Parekh, and Himmat Shah, among others. It also showcases significant works by senior contemporary artists, including Yusuf and Ashok Bhowmick.

The exhibition presents a diverse range of artistic expressions through paintings, drawings, and sculptures, offering a dialogue between different periods and practices in Indian art. By placing works of modern masters alongside those of later generations, the show highlights both continuity and transformation in artistic language.

Anjolie Ela Menon’s contemplative figures evoke quiet introspection, while Manu Parekh’s vibrant landscapes convey intensity and movement. Sculptural works by Himmat Shah contribute a strong tactile and material dimension, enriching the visual experience. Together, the artworks create a dynamic interplay of styles, themes, and sensibilities.

Echoes of Past and Future invites viewers to reflect on the evolution of Indian modern and contemporary art, tracing its journey across time while pointing toward future directions and emerging possibilities.

Sumit Thakur, Founder of Divine Art Gallery, said, “Echoes of Past and Future brings together some of the most prominent voices in Indian modern and contemporary art, creating a meaningful dialogue across generations. By presenting works of masters alongside those of later artists, the exhibition reflects both continuity and evolution in artistic expression, offering viewers an opportunity to expand their understanding of diverse visual languages and to experience a rich artistic legacy that continues to influence contemporary practice.”

Exhibition Details:
Title: Echoes of Past and Future
Dates: 24 April – 10 May 2026
Timings: 11:00 AM – 7:00 PM (Open Daily)
Venue: Divine Art Gallery, F-213A, Old M.B. Road, Lado Sarai, New Delhi – 110030