Events
Ramadan 2025: Start Date, Moon Sighting & Fasting Timings

Ramadan 2025 is expected to start on March 1, contingent upon the moon sighting on February 28. Muslim communities in Saudi Arabia, the UAE, India, and Pakistan will determine the start based on the crescent moon’s visibility. The exact commencement might align globally or vary slightly.
Ramadan, the ninth month of the Islamic lunar calendar, is a period of profound spiritual reflection, fasting, prayer, and community for Muslims worldwide. In 2025, Ramadan is anticipated to commence on March 1, contingent upon the sighting of the crescent moon. This article delves into the expected start dates and timings for Ramadan 2025 in Saudi Arabia, India, the United Arab Emirates (UAE), Pakistan, and other regions globally.
Significance of Moon Sighting in Ramadan
The Islamic calendar is lunar-based, with each month beginning upon the sighting of the new crescent moon. This practice renders the start of Ramadan variable each year, typically advancing by approximately ten days annually in the Gregorian calendar. The sighting of the moon is a pivotal event, as it dictates the commencement of fasting and other religious observances associated with Ramadan.
The Importance of Moon Sighting in Ramadan.
The Islamic calendar is based on the lunar cycle, meaning that months begin with the first sighting of the new crescent moon. Unlike the fixed Gregorian calendar, which follows the solar cycle, Islamic months shift by approximately 10 days each year.
To determine the start of Ramadan 2025, Islamic scholars and religious authorities across different countries will rely on astronomical calculations and physical moon sightings. This tradition ensures a unified start to the holy month, though different locations may observe Ramadan on slightly different days due to geographical and atmospheric variations.
Expected Start Date of Ramadan 2025 in Different Countries
While the exact date depends on moon sighting reports, here are the expected start dates for Ramadan 2025 in various regions:
Saudi Arabia & UAE— Expected start: March 1, 2025
India & Pakistan— Expected start: March 2, 2025 (due to moon sighting delays).
USA & Canada— Expected start: March 1, 2025.
UK & Europe— Expected start: March 1, 2025.
Note: These dates are subject to change based on official moon sighting announcements in each country.
How Muslims Observe Ramadan.
During Ramadan, Muslims engage in fasting (Sawm) from sunrise (Suhoor) to sunset (Iftar). The daily fast is broken with dates and water, followed by a wholesome meal. Taraweeh prayers, nightly recitations of the Quran, and acts of charity (Zakat and Sadaqah) are also emphasized throughout the month.
Many communities organize Iftar gatherings, strengthening the bonds of faith and unity. Special prayers, Laylat al-Qadr (the Night of Power), and increased devotion in the last ten nights of Ramadan hold great significance for believers.
Events
The Riviera Rewritten: Cannes 2026’s Most Arresting Fashion Moments

CROISETTE CHRONICLES — PART II
“Sun, Silk & Studied Chaos”
If the first week of Cannes 2026 whispered, the second week grabbed you by the collar.

A blush-pink strapless column gown arrived on the Croisette with the kind of quiet ferocity only a seasoned red carpet can absorb. Pearl-scattered at the bust, its satin surface caught every camera flash. It was paired with a voluminous silver-grey cocoon coat draped off both shoulders — not worn, deployed. Chandelier diamonds framed the ears, stacked rings adorned both hands, and sleekly pulled-back hair revealed a razor-sharp jawline. This was old Hollywood reconstructed by someone who found the original too polite.

Then came the moment that stopped the Croisette mid-scroll: a chartreuse pleated one-shoulder gown, its fabric engineered into deep diagonal ridges sweeping from a sculpted shoulder down to a dramatic thigh-high slit. Photographed against palm trees and Mediterranean light, it looked less like an outfit and more like a natural phenomenon — moss-coloured, elemental, inevitable. A single emerald pendant rested at the throat. Loose waves, barely tamed, completed the look. The overall effect? A woman who dressed for the landscape, not the photographers — and somehow captivated both.

Beside the sea, another story unfolded. A dark sequinned gown — midnight black fading into deep magenta — was worn against the backdrop of open water. Hair loosened by the wind, a glance thrown back over one bare shoulder. Delicate crystal chains descended the open back like jewellery transformed into architecture. No carpet, no crowd. Just Riviera light and the confidence to command it entirely.

Then came the cultural statement that deserved its own paragraph: a halter-neck anarkali of extraordinary intricacy. Silver and blush floral embroidery spread across ivory silk, while a heavily diamond-encrusted halter neckline functioned as both collar and jewel. A maang tikka and oversized jhumkas completed a look worthy of museum display. A blush dupatta trailed behind with quiet drama. This was Indian couture presented not as a translation for a Western audience, but entirely on its own terms — unapologetic, uncompromising, and self-assured.
Finally, there was the fashion commentator who became the story. A multicoloured embroidered bandhgala blazer — alive with iridescent threadwork in mauve, teal, and gold — was paired with plum trousers and a galaxy of statement rings. Frameless glasses added restraint to the visual richness, while the smile carried a different message altogether: I dressed for myself first. At Cannes, where everyone performs for someone, that may be the most radical statement of all.
“The Riviera didn’t dress them. They dressed the Riviera.”
Events
Fashion Designer Amit GT and Le Marquise Jewellery by Jasmine Gulati Jain and Sambhav Jain Showcase Excellence Under the Golden Lumière Awards at the 79th Festival de Cannes 2026 Show Directed by Liza Varma

As part of India’s multi-platform presence at the 79th Festival de Cannes 2026, internationally renowned Show Director Liza Varma from India led a delegation of Indian designers and jewellery labels at the Fashion TV Presentation held on 18th May 2026 at the Majestic Hotel, Cannes, at 9:30 PM (CEST).
The showcase featured celebrated Indian designer Amit GT along with Le Marquise Jewellery by Jasmine Gulati Jain and Sambhav Jain, presenting a curated display of fashion and jewellery that reflected contemporary Indian design sensibilities on an international platform. Amit GT’s showcase was presented under the prestigious Golden Lumière Awards Cannes 2026, hosted at the Majestic Hotel Beach, Cannes.

The Golden Lumière Awards show is hosted at the Majestic Hotel Beach, Cannes2026, where cinema meets luxury, celebrating outstanding personalities from international cinema along with visionary business leaders supporting art, culture, cinema, and the future generation of creators. The grand evening was attended by international personality Farhana Bodi and actress Urvashi Rautela, while actress Pooja Batra. The event was produced by Anna Neneman from ENW Showroom.

Speaking about the showcase, Liza Varma said, “My focus is to create opportunities for Indian designers and talent to present their work in international environments. Cannes provides an important global platform to showcase the strength of Indian fashion, craftsmanship, and creative talent before an international audience.”
Held alongside the 79th edition of the Cannes Film Festival 2026, the presentation formed part of a larger initiative led by Liza Varma to create global visibility for Indian designers, jewellery labels, and creative talent through curated showcases and international collaborations at Cannes.
Events
“Echoes of Past and Future” Opens a Dialogue Between Generations of Indian Art at Divine Art Gallery, New Delhi

Echoes of Past and Future, a group exhibition of modern and contemporary art, opened with a preview on Friday, 24 April 2026 at Divine Art Gallery, New Delhi. The exhibition is now open to the public and will remain on view until 10 May 2026.
Bringing together an exceptional selection of works, the exhibition features celebrated Indian modernists including S.H. Raza, Ram Kumar, F.N. Souza, Krishen Khanna, Sunil Das, A. Ramachandran, Paramjit Singh, Anjolie Ela Menon, Manu Parekh, and Himmat Shah, among others. It also showcases significant works by senior contemporary artists, including Yusuf and Ashok Bhowmick.
The exhibition presents a diverse range of artistic expressions through paintings, drawings, and sculptures, offering a dialogue between different periods and practices in Indian art. By placing works of modern masters alongside those of later generations, the show highlights both continuity and transformation in artistic language.
Anjolie Ela Menon’s contemplative figures evoke quiet introspection, while Manu Parekh’s vibrant landscapes convey intensity and movement. Sculptural works by Himmat Shah contribute a strong tactile and material dimension, enriching the visual experience. Together, the artworks create a dynamic interplay of styles, themes, and sensibilities.
Echoes of Past and Future invites viewers to reflect on the evolution of Indian modern and contemporary art, tracing its journey across time while pointing toward future directions and emerging possibilities.
Sumit Thakur, Founder of Divine Art Gallery, said, “Echoes of Past and Future brings together some of the most prominent voices in Indian modern and contemporary art, creating a meaningful dialogue across generations. By presenting works of masters alongside those of later artists, the exhibition reflects both continuity and evolution in artistic expression, offering viewers an opportunity to expand their understanding of diverse visual languages and to experience a rich artistic legacy that continues to influence contemporary practice.”
Exhibition Details:
Title: Echoes of Past and Future
Dates: 24 April – 10 May 2026
Timings: 11:00 AM – 7:00 PM (Open Daily)
Venue: Divine Art Gallery, F-213A, Old M.B. Road, Lado Sarai, New Delhi – 110030
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