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VLCC Well science launches a new range of personal care and wellness products, available through direct selling channel

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A leading Indian player in the beauty and wellness sector now has unveiled its latest range of personal care and wellness products under the VLCC Well science™ line, to be sold through the company’s pan-India direct seller network of over 55,000 associates. It may be recalled, VLCC had acquired Well science, a leading direct seller of nutraceuticals in early 2017.

The new range of VLCC Well science™ products include a facial kit and face wash, branded Naturally Ageless, an Aloe Vera & Wheat Germ Hydrating Body Lotion, Clove& Spearmint Foot Cream, Lemongrass & Rosemary Anti-Cellulite Gel, and Green Tea Extract Tablets.

https://www.vlccproducts.com/

Speaking at the launch, Mr. Lajinder Bawa, CEO, VLCC Well science™ said, “VLCC’s endeavor to innovate and enter into new categories like fast-moving health good (FMHG) and fast-evolving distribution channels like direct selling led to the VLCC Well science™ collaboration. This investment has enabled the VLCC Well science™ network to be scaled up virtually pan-India in a span of fewer than 10 months as well as not only refresh its existing range of nutraceuticals but also expand the range with new products as also adding an entirely new line of skincare and body-care products. The new range is an ideal combination of sophisticated science and abundant nature that is well suited to the needs of modern consumers. We are confident that through these products, we will be able to further expand our network of distributors and associates to further consolidate our position in the direct selling space.”

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Events

The Riviera Rewritten: Cannes 2026’s Most Arresting Fashion Moments

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Cannes Part 2

CROISETTE CHRONICLES — PART II

“Sun, Silk & Studied Chaos”

If the first week of Cannes 2026 whispered, the second week grabbed you by the collar.

Cannes Part 2

A blush-pink strapless column gown arrived on the Croisette with the kind of quiet ferocity only a seasoned red carpet can absorb. Pearl-scattered at the bust, its satin surface caught every camera flash. It was paired with a voluminous silver-grey cocoon coat draped off both shoulders — not worn, deployed. Chandelier diamonds framed the ears, stacked rings adorned both hands, and sleekly pulled-back hair revealed a razor-sharp jawline. This was old Hollywood reconstructed by someone who found the original too polite.

Cannes Part 2

Then came the moment that stopped the Croisette mid-scroll: a chartreuse pleated one-shoulder gown, its fabric engineered into deep diagonal ridges sweeping from a sculpted shoulder down to a dramatic thigh-high slit. Photographed against palm trees and Mediterranean light, it looked less like an outfit and more like a natural phenomenon — moss-coloured, elemental, inevitable. A single emerald pendant rested at the throat. Loose waves, barely tamed, completed the look. The overall effect? A woman who dressed for the landscape, not the photographers — and somehow captivated both.

Cannes Part 2

Beside the sea, another story unfolded. A dark sequinned gown — midnight black fading into deep magenta — was worn against the backdrop of open water. Hair loosened by the wind, a glance thrown back over one bare shoulder. Delicate crystal chains descended the open back like jewellery transformed into architecture. No carpet, no crowd. Just Riviera light and the confidence to command it entirely.

Cannes Part 2

Then came the cultural statement that deserved its own paragraph: a halter-neck anarkali of extraordinary intricacy. Silver and blush floral embroidery spread across ivory silk, while a heavily diamond-encrusted halter neckline functioned as both collar and jewel. A maang tikka and oversized jhumkas completed a look worthy of museum display. A blush dupatta trailed behind with quiet drama. This was Indian couture presented not as a translation for a Western audience, but entirely on its own terms — unapologetic, uncompromising, and self-assured.

Finally, there was the fashion commentator who became the story. A multicoloured embroidered bandhgala blazer — alive with iridescent threadwork in mauve, teal, and gold — was paired with plum trousers and a galaxy of statement rings. Frameless glasses added restraint to the visual richness, while the smile carried a different message altogether: I dressed for myself first. At Cannes, where everyone performs for someone, that may be the most radical statement of all.

“The Riviera didn’t dress them. They dressed the Riviera.”

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Fashion Designer Amit GT and Le Marquise Jewellery by Jasmine Gulati Jain and Sambhav Jain Showcase Excellence Under the Golden Lumière Awards at the 79th Festival de Cannes 2026  Show Directed by Liza Varma

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Liza Verma along with Models

As part of India’s multi-platform presence at the 79th Festival de Cannes 2026, internationally renowned Show Director Liza Varma from India led a delegation of Indian designers and jewellery labels at the Fashion TV Presentation held on 18th May 2026 at the Majestic Hotel, Cannes, at 9:30 PM (CEST).

The showcase featured celebrated Indian designer Amit GT along with Le Marquise Jewellery by Jasmine Gulati Jain and Sambhav Jain, presenting a curated display of fashion and jewellery that reflected contemporary Indian design sensibilities on an international platform. Amit GT’s showcase was presented under the prestigious Golden Lumière Awards Cannes 2026, hosted at the Majestic Hotel Beach, Cannes.

Liza Verma along with Models

The Golden Lumière Awards show is hosted at the Majestic Hotel Beach, Cannes2026, where cinema meets luxury, celebrating outstanding personalities from international cinema along with visionary business leaders supporting art, culture, cinema, and the future generation of creators. The grand evening was attended by international personality Farhana Bodi and actress Urvashi Rautela, while actress Pooja Batra. The event was produced by Anna Neneman from ENW Showroom.

Model-wore-collection-by-Amit-GT-and-Le-Marquise-by-Jasmine-Gulati-and-Sambhav-Jain-at-Cannes-2026

Speaking about the showcase, Liza Varma said, “My focus is to create opportunities for Indian designers and talent to present their work in international environments. Cannes provides an important global platform to showcase the strength of Indian fashion, craftsmanship, and creative talent before an international audience.”

Held alongside the 79th edition of the Cannes Film Festival 2026, the presentation formed part of a larger initiative led by Liza Varma to create global visibility for Indian designers, jewellery labels, and creative talent through curated showcases and international collaborations at Cannes.

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“Echoes of Past and Future” Opens a Dialogue Between Generations of Indian Art at Divine Art Gallery, New Delhi

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Generations of Indian Art at Divine Art Gallery, New Delhi

Echoes of Past and Future, a group exhibition of modern and contemporary art, opened with a preview on Friday, 24 April 2026 at Divine Art Gallery, New Delhi. The exhibition is now open to the public and will remain on view until 10 May 2026.

Bringing together an exceptional selection of works, the exhibition features celebrated Indian modernists including S.H. Raza, Ram Kumar, F.N. Souza, Krishen Khanna, Sunil Das, A. Ramachandran, Paramjit Singh, Anjolie Ela Menon, Manu Parekh, and Himmat Shah, among others. It also showcases significant works by senior contemporary artists, including Yusuf and Ashok Bhowmick.

The exhibition presents a diverse range of artistic expressions through paintings, drawings, and sculptures, offering a dialogue between different periods and practices in Indian art. By placing works of modern masters alongside those of later generations, the show highlights both continuity and transformation in artistic language.

Anjolie Ela Menon’s contemplative figures evoke quiet introspection, while Manu Parekh’s vibrant landscapes convey intensity and movement. Sculptural works by Himmat Shah contribute a strong tactile and material dimension, enriching the visual experience. Together, the artworks create a dynamic interplay of styles, themes, and sensibilities.

Echoes of Past and Future invites viewers to reflect on the evolution of Indian modern and contemporary art, tracing its journey across time while pointing toward future directions and emerging possibilities.

Sumit Thakur, Founder of Divine Art Gallery, said, “Echoes of Past and Future brings together some of the most prominent voices in Indian modern and contemporary art, creating a meaningful dialogue across generations. By presenting works of masters alongside those of later artists, the exhibition reflects both continuity and evolution in artistic expression, offering viewers an opportunity to expand their understanding of diverse visual languages and to experience a rich artistic legacy that continues to influence contemporary practice.”

Exhibition Details:
Title: Echoes of Past and Future
Dates: 24 April – 10 May 2026
Timings: 11:00 AM – 7:00 PM (Open Daily)
Venue: Divine Art Gallery, F-213A, Old M.B. Road, Lado Sarai, New Delhi – 110030

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