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#StyleSteal: You Can Get Your Hands On Shamita Shetty’s KALKI Festive Look!

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The hit song Sharara Sharara actress, Shamita Shetty is back and how with her traditional appeal! Setting trends for full-on festive looks & keeping it casual low-key at the same time, the diva knows how to look uber-stylish every time.

03 KALKI Fashion Shamita Shetty

Her recent outfit for the festivities is just the perfect outfit for a small wedding function. With weddings lined up in the next couple of months, this is your absolute pick!Buy this here!

Shamita wore a beautiful anarkali suit from KALKI Fashion’s Meriah Collection – The Festive Edit. Exuding femininity, romance and glamour all at once this dazzling flamingo pink anarkali style with bugle beads, modern zardosi and intricate thread work is all you need to feel like a princess on your sister’s or bff’s engagement day!

With an elaborate flared palazzo teamed with a flowy anarkali, will make you look every inch like a queen and this is what you can wear for your bestie’s mehendi too. The teamed sheer dupatta is simple yet anything but basic.

Minimal jewelry and an au naturel make-up Look is all you need to beautify this look.

Website: www.kalkifashion.com
Product Link: https://bit.ly/2pGP4yd
Meriah Collection Page Link:  https://bit.ly/34yIpES

About KALKIBorn in Mumbai, India in 2007, KALKI evokes the very spirit of the city it was founded in. An upstart, innovative, and dynamic brand – KALKI – offers the best of contemporary, ethnic Indian fashion and fusion-wear styles. Staying true to the brand’s unique promise of premium and wearable fashion, KALKI unveils fresh collections and all-new designs throughout the fashion calendar. KALKI’s design and aesthetic sensibility seek inspiration from all walks of life – be it haute couture trends and forecasts from fashion destinations across the globe to the homebound handloom traditions of India.

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Events

The Riviera Rewritten: Cannes 2026’s Most Arresting Fashion Moments

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Cannes Part 2

CROISETTE CHRONICLES — PART II

“Sun, Silk & Studied Chaos”

If the first week of Cannes 2026 whispered, the second week grabbed you by the collar.

Cannes Part 2

A blush-pink strapless column gown arrived on the Croisette with the kind of quiet ferocity only a seasoned red carpet can absorb. Pearl-scattered at the bust, its satin surface caught every camera flash. It was paired with a voluminous silver-grey cocoon coat draped off both shoulders — not worn, deployed. Chandelier diamonds framed the ears, stacked rings adorned both hands, and sleekly pulled-back hair revealed a razor-sharp jawline. This was old Hollywood reconstructed by someone who found the original too polite.

Cannes Part 2

Then came the moment that stopped the Croisette mid-scroll: a chartreuse pleated one-shoulder gown, its fabric engineered into deep diagonal ridges sweeping from a sculpted shoulder down to a dramatic thigh-high slit. Photographed against palm trees and Mediterranean light, it looked less like an outfit and more like a natural phenomenon — moss-coloured, elemental, inevitable. A single emerald pendant rested at the throat. Loose waves, barely tamed, completed the look. The overall effect? A woman who dressed for the landscape, not the photographers — and somehow captivated both.

Cannes Part 2

Beside the sea, another story unfolded. A dark sequinned gown — midnight black fading into deep magenta — was worn against the backdrop of open water. Hair loosened by the wind, a glance thrown back over one bare shoulder. Delicate crystal chains descended the open back like jewellery transformed into architecture. No carpet, no crowd. Just Riviera light and the confidence to command it entirely.

Cannes Part 2

Then came the cultural statement that deserved its own paragraph: a halter-neck anarkali of extraordinary intricacy. Silver and blush floral embroidery spread across ivory silk, while a heavily diamond-encrusted halter neckline functioned as both collar and jewel. A maang tikka and oversized jhumkas completed a look worthy of museum display. A blush dupatta trailed behind with quiet drama. This was Indian couture presented not as a translation for a Western audience, but entirely on its own terms — unapologetic, uncompromising, and self-assured.

Finally, there was the fashion commentator who became the story. A multicoloured embroidered bandhgala blazer — alive with iridescent threadwork in mauve, teal, and gold — was paired with plum trousers and a galaxy of statement rings. Frameless glasses added restraint to the visual richness, while the smile carried a different message altogether: I dressed for myself first. At Cannes, where everyone performs for someone, that may be the most radical statement of all.

“The Riviera didn’t dress them. They dressed the Riviera.”

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Fashion Designer Amit GT and Le Marquise Jewellery by Jasmine Gulati Jain and Sambhav Jain Showcase Excellence Under the Golden Lumière Awards at the 79th Festival de Cannes 2026  Show Directed by Liza Varma

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Liza Verma along with Models

As part of India’s multi-platform presence at the 79th Festival de Cannes 2026, internationally renowned Show Director Liza Varma from India led a delegation of Indian designers and jewellery labels at the Fashion TV Presentation held on 18th May 2026 at the Majestic Hotel, Cannes, at 9:30 PM (CEST).

The showcase featured celebrated Indian designer Amit GT along with Le Marquise Jewellery by Jasmine Gulati Jain and Sambhav Jain, presenting a curated display of fashion and jewellery that reflected contemporary Indian design sensibilities on an international platform. Amit GT’s showcase was presented under the prestigious Golden Lumière Awards Cannes 2026, hosted at the Majestic Hotel Beach, Cannes.

Liza Verma along with Models

The Golden Lumière Awards show is hosted at the Majestic Hotel Beach, Cannes2026, where cinema meets luxury, celebrating outstanding personalities from international cinema along with visionary business leaders supporting art, culture, cinema, and the future generation of creators. The grand evening was attended by international personality Farhana Bodi and actress Urvashi Rautela, while actress Pooja Batra. The event was produced by Anna Neneman from ENW Showroom.

Model-wore-collection-by-Amit-GT-and-Le-Marquise-by-Jasmine-Gulati-and-Sambhav-Jain-at-Cannes-2026

Speaking about the showcase, Liza Varma said, “My focus is to create opportunities for Indian designers and talent to present their work in international environments. Cannes provides an important global platform to showcase the strength of Indian fashion, craftsmanship, and creative talent before an international audience.”

Held alongside the 79th edition of the Cannes Film Festival 2026, the presentation formed part of a larger initiative led by Liza Varma to create global visibility for Indian designers, jewellery labels, and creative talent through curated showcases and international collaborations at Cannes.

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“Echoes of Past and Future” Opens a Dialogue Between Generations of Indian Art at Divine Art Gallery, New Delhi

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Generations of Indian Art at Divine Art Gallery, New Delhi

Echoes of Past and Future, a group exhibition of modern and contemporary art, opened with a preview on Friday, 24 April 2026 at Divine Art Gallery, New Delhi. The exhibition is now open to the public and will remain on view until 10 May 2026.

Bringing together an exceptional selection of works, the exhibition features celebrated Indian modernists including S.H. Raza, Ram Kumar, F.N. Souza, Krishen Khanna, Sunil Das, A. Ramachandran, Paramjit Singh, Anjolie Ela Menon, Manu Parekh, and Himmat Shah, among others. It also showcases significant works by senior contemporary artists, including Yusuf and Ashok Bhowmick.

The exhibition presents a diverse range of artistic expressions through paintings, drawings, and sculptures, offering a dialogue between different periods and practices in Indian art. By placing works of modern masters alongside those of later generations, the show highlights both continuity and transformation in artistic language.

Anjolie Ela Menon’s contemplative figures evoke quiet introspection, while Manu Parekh’s vibrant landscapes convey intensity and movement. Sculptural works by Himmat Shah contribute a strong tactile and material dimension, enriching the visual experience. Together, the artworks create a dynamic interplay of styles, themes, and sensibilities.

Echoes of Past and Future invites viewers to reflect on the evolution of Indian modern and contemporary art, tracing its journey across time while pointing toward future directions and emerging possibilities.

Sumit Thakur, Founder of Divine Art Gallery, said, “Echoes of Past and Future brings together some of the most prominent voices in Indian modern and contemporary art, creating a meaningful dialogue across generations. By presenting works of masters alongside those of later artists, the exhibition reflects both continuity and evolution in artistic expression, offering viewers an opportunity to expand their understanding of diverse visual languages and to experience a rich artistic legacy that continues to influence contemporary practice.”

Exhibition Details:
Title: Echoes of Past and Future
Dates: 24 April – 10 May 2026
Timings: 11:00 AM – 7:00 PM (Open Daily)
Venue: Divine Art Gallery, F-213A, Old M.B. Road, Lado Sarai, New Delhi – 110030

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