Events
New office to open in Jammu and Kashmir: ASSOCHAM
Describing the decision to abrogate Article 370 of the Constitution as historic and leading towards the One Nation One Constitution, ASSOCHAM President Mr B K Goenka said the bold move by the government under the leadership of Hon’ble Prime Minister Shri Narendra Modi would strengthen India’s sovereignty and pave the way for peace and development in Jammu and Kashmir.
Mr.Goenka said the restructuring of the paradise state into Union Territories will weave them more intricately with the national fabric. He said the bold step would open up the flow of investments into the sectors like tourism, real estate, handicrafts, horticulture, and food processing, among others. The multiplier effect would enhance employment opportunities and contribute to India’s all-round prosperity. We congratulate the MODI government for this historic move and to participate in the proposed economic development agenda, ASSOCHAM has decided to set up a regional office in J & K.
About ASSOCHAM:
ASSOCHAM initiated its endeavor of value creation for the Indian industry in 1920. It was established by promoter Chambers, representing all regions of India. Having in its fold over 400 Chambers and Trade Associations, and serving over 4.5 lakh members across India. ASSOCHAM has emerged as the fountainhead of Knowledge for the Indian industry, which is all set to redefine the dynamics of growth and development in the Knowledge-Based Economy. More information available on www.assocham.org
Written and directed by Manoj Tapadia and presented by PEN Studios in association with Manikarnika Films, Bharat Bhagya Vidhata is scheduled for theatrical release on June 12, 2026. Inspired by true events during the horrific 2008 Mumbai terror attacks, the film shifts attention away from conventional depictions of tragedy and instead illuminates the extraordinary actions of ordinary individuals working within Mumbai’s Cama Hospital. At its heart lies a powerful tribute to nurses, ward boys, security personnel, and hospital staff whose bravery ensured the safety of hundreds of patients during one of India’s darkest nights.
Kangana Ranaut leads the film as a senior nurse inspired by the real-life heroism of Anjali Kulthe, delivering a performance rooted in determination and quiet strength. Supporting her is an accomplished ensemble featuring Girija Oak, Smita Tambe, Amrutha Namdev, Esha Dey, Suhita Thatte, and several others, each contributing meaningfully to a narrative that intentionally avoids portraying heroism as the achievement of a single individual. Instead, the film emphasises collective courage, illustrating how every member of the hospital staff became an indispensable part of a larger effort to protect vulnerable lives.
Without venturing into spoiler territory, Bharat Bhagya Vidhata succeeds in immersing viewers in the tension and uncertainty of the situation. The screenplay maintains a commendable pace, ensuring that the emotional weight never overwhelms the narrative momentum. More importantly, the film serves as a timely reminder of the often-unrecognised contributions of nursing staff and hospital attendants. In moments of catastrophe, while doctors shoulder immense responsibility in critical care and decision-making, nurses and support workers are the constant presence, managing countless essential tasks that keep an institution functioning.
Beyond the screening itself, the premiere offered valuable insights into the filmmaking process. The evening was marked by a lively atmosphere, with extensive media interactions, cast interviews, and behind-the-scenes discussions. Members of the cast and crew shared their experiences portraying real-life events, the challenges of balancing historical sensitivity with cinematic storytelling, and the responsibility of representing individuals whose bravery largely went unrecognized by the public. These conversations provided a fascinating glimpse into the creative and emotional investment that shaped the production.
Perhaps the film’s greatest achievement lies in its ability to honour heroism without romanticising tragedy. In doing so, Bharat Bhagya Vidhata transforms a familiar chapter of history into a moving tribute to those whose actions saved lives but whose stories rarely occupied the spotlight. Combining emotional depth, strong performances, and a deeply respectful approach to its subject matter, the film stands as both an engaging drama and a deserving tribute to everyday heroes who became extraordinary when circumstances demanded it.
CROISETTE CHRONICLES — PART II
“Sun, Silk & Studied Chaos”
If the first week of Cannes 2026 whispered, the second week grabbed you by the collar.
A blush-pink strapless column gown arrived on the Croisette with the kind of quiet ferocity only a seasoned red carpet can absorb. Pearl-scattered at the bust, its satin surface caught every camera flash. It was paired with a voluminous silver-grey cocoon coat draped off both shoulders — not worn, deployed. Chandelier diamonds framed the ears, stacked rings adorned both hands, and sleekly pulled-back hair revealed a razor-sharp jawline. This was old Hollywood reconstructed by someone who found the original too polite.
Then came the moment that stopped the Croisette mid-scroll: a chartreuse pleated one-shoulder gown, its fabric engineered into deep diagonal ridges sweeping from a sculpted shoulder down to a dramatic thigh-high slit. Photographed against palm trees and Mediterranean light, it looked less like an outfit and more like a natural phenomenon — moss-coloured, elemental, inevitable. A single emerald pendant rested at the throat. Loose waves, barely tamed, completed the look. The overall effect? A woman who dressed for the landscape, not the photographers — and somehow captivated both.
Beside the sea, another story unfolded. A dark sequinned gown — midnight black fading into deep magenta — was worn against the backdrop of open water. Hair loosened by the wind, a glance thrown back over one bare shoulder. Delicate crystal chains descended the open back like jewellery transformed into architecture. No carpet, no crowd. Just Riviera light and the confidence to command it entirely.
Then came the cultural statement that deserved its own paragraph: a halter-neck anarkali of extraordinary intricacy. Silver and blush floral embroidery spread across ivory silk, while a heavily diamond-encrusted halter neckline functioned as both collar and jewel. A maang tikka and oversized jhumkas completed a look worthy of museum display. A blush dupatta trailed behind with quiet drama. This was Indian couture presented not as a translation for a Western audience, but entirely on its own terms — unapologetic, uncompromising, and self-assured.
Finally, there was the fashion commentator who became the story. A multicoloured embroidered bandhgala blazer — alive with iridescent threadwork in mauve, teal, and gold — was paired with plum trousers and a galaxy of statement rings. Frameless glasses added restraint to the visual richness, while the smile carried a different message altogether: I dressed for myself first. At Cannes, where everyone performs for someone, that may be the most radical statement of all.
“The Riviera didn’t dress them. They dressed the Riviera.”
Events
Fashion Designer Amit GT and Le Marquise Jewellery by Jasmine Gulati Jain and Sambhav Jain Showcase Excellence Under the Golden Lumière Awards at the 79th Festival de Cannes 2026 Show Directed by Liza Varma
As part of India’s multi-platform presence at the 79th Festival de Cannes 2026, internationally renowned Show Director Liza Varma from India led a delegation of Indian designers and jewellery labels at the Fashion TV Presentation held on 18th May 2026 at the Majestic Hotel, Cannes, at 9:30 PM (CEST).
The showcase featured celebrated Indian designer Amit GT along with Le Marquise Jewellery by Jasmine Gulati Jain and Sambhav Jain, presenting a curated display of fashion and jewellery that reflected contemporary Indian design sensibilities on an international platform. Amit GT’s showcase was presented under the prestigious Golden Lumière Awards Cannes 2026, hosted at the Majestic Hotel Beach, Cannes.
The Golden Lumière Awards show is hosted at the Majestic Hotel Beach, Cannes2026, where cinema meets luxury, celebrating outstanding personalities from international cinema along with visionary business leaders supporting art, culture, cinema, and the future generation of creators. The grand evening was attended by international personality Farhana Bodi and actress Urvashi Rautela, while actress Pooja Batra. The event was produced by Anna Neneman from ENW Showroom.
Speaking about the showcase, Liza Varma said, “My focus is to create opportunities for Indian designers and talent to present their work in international environments. Cannes provides an important global platform to showcase the strength of Indian fashion, craftsmanship, and creative talent before an international audience.”
Held alongside the 79th edition of the Cannes Film Festival 2026, the presentation formed part of a larger initiative led by Liza Varma to create global visibility for Indian designers, jewellery labels, and creative talent through curated showcases and international collaborations at Cannes.
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