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Maidaan isn’t just a movie; it’s a resurrection

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Maidaan isn’t just a movie; it’s a resurrection

For too long, a legend has slumbered in the dusty archives of Indian sports history.
Maidaan isn’t just a movie; it’s a resurrection, a battle cry to awaken a sleeping giant.

Enter Syed Abdul Rahim (played with unparalleled intensity by Ajay Devgn). This isn’t just his story; it’s the story of a nation that once dominated the Asian football scene, a time before our current 121st FIFA ranking.

Maidaan isn’t just a movie; it’s a resurrection

Maidaan is a cinematic spectacle, an epic shot at a scale unheard of, unseen in any Indian sports movie before. Witness Rahim’s relentless crusade against crippling politics, bitter rivalries, and the suffocating weight of a forgotten dream.

Imagine a time when India’s name on the football map instilled fear, not pity. Maidaan throws you into the heart of this forgotten era, where Rahim, with unwavering resolve, ignites a fire that will scorch the doubters.

This is a story of blood, sweat, and the unyielding will to reclaim a nation’s sporting glory. It’s a heart-pounding saga of a team, fueled by Rahim’s unwavering belief, clawing its way back to dominance. Get ready to witness the roar of a nation rise as one, united by the beautiful game.

Witness the rise of a legend. Witness the Ajay Devgn Era. Witness Maidaan thunder into theaters on
Wednesday, April 10th!

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BOMAN IRANI and MAKARAND DESHPANDE Unveil Poster of PRASENJIT CHAKRABORTY’S  “CHINDI PAKAD” at the 78th Cannes Film Festival

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In a proud moment for Indian cinema, veteran actors BOMAN IRANI and MAKARAND DESHPANDE unveiled the official poster of filmmaker PRASENJIT CHAKRABORTY’S  upcoming urban drama CHINDI PAKAD at the Indian Pavilion during the 78th Cannes Film Festival. The poster launch, hosted by SHRISTI CREATION FILM PRODUCTIONS in association with RITUPARNA SENGUPTA, drew widespread attention for its bold narrative and symbolic design.

CHINDI PAKAD explores the underbelly of urban life, tackling themes of addiction, survival, and the human spirit. The eye-catching poster features the title stylized with a green bottle replacing the letter “I” in CHINDI, a powerful visual metaphor for the film’s deeper message.

Speaking at the event, BOMAN IRANI  said, “It’s inspiring to see filmmakers push the envelope and bring untold stories to light. CHINDI PAKAD is one such bold cinematic journey, and I’m honored to be part of this launch at Cannes.”

MAKARAND DESHPANDE, known for his intense character portrayals, added, “The rawness and realism reflected in the poster instantly drew me in. Films like these give voice to the marginalized and offer a powerful mirror to society.”

Director and producer PRASENJIT CHAKRABORTY (PRIYAM) shared, “CHINDI PAKAD is not just a film—it’s a voice from the streets, a story that demands to be heard. Launching the poster at Cannes, with stalwarts like BOMAN IRANI and MAKARAND DESHPANDE, gives the film the global platform it deserves.”

The film is Produced by PRASENJIT CHAKRABORTY

Co-produced by UNITED COLOURS ENTERTAINMENT & SURENDRA CHOURASIYA

Creative Producer is SCRIPTWORLD ENTERTAINMENT

CHINDI PAKAD promises to be a gripping cinematic journey rooted in realism, resilience, and truth.

Stay tuned for the trailer and release date announcement coming soon…

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Govinda and Sunita Ahuja Divorce News: What We Know So Far

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Govinda’s Alleged Affair Sparks Divorce Rumors with Sunita Ahuja

Neither Govinda nor Sunita Ahuja has made an official statement about the ongoing divorce rumors. Actor Govinda and his wife Sunita Ahuja were on trending lists today, with reports suggesting that they have separated after 37 years of marriage. Reports claim Govinda and Sunita Ahuja’s “contrasting lifestyle choices” are among the reasons for the rift.
A report by the website Bollywood Now claimed that Govinda’s alleged relationship with a Marathi actress has led to the split.
In a recent interview with Hindi Rush, Sunita Ahuja revealed some things about their living situation. She revealed that they mostly live separately, as Govinda often stays at his bungalow because he stays late after meetings and gatherings. Govinda And Sunita Ahuja Heading For Divorce? What Reports Say As of now, neither Govinda nor Sunita Ahuja has made an official statement on the ongoing divorce rumors

Govinda and Sunita Ahuja got married in March 1987. However, the couple announced their wedding after welcoming their daughter, Tina, in 1988. Later, they had a son, Yashvardhan, in 1997.

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ED Freezes Properties of Director Shankar Over Copyright Dispute

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ED Provisional Attachment of Director Shankar's Assets in Copyright Case

ED Provisional Attachment of Director Shankar’s Assets in Copyright Case

The Enforcement Directorate (ED) has temporarily seized assets worth around ₹10.11 crore belonging to renowned Tamil film director S. Shankar. This action follows allegations that his 2010 blockbuster film Enthiran (Robot), featuring Rajinikanth, was based on a storyline titled Jiguba, written by author Aarur Tamilnadan.

Background of the Claims

In 2011, Aarur Tamilnadan filed a formal complaint asserting that Shankar’s film Enthiran was derived from his original work, Jiguba. The complaint led to a civil lawsuit filed in the Madras High Court, accusing Shankar of intellectual property theft and violations of copyright laws.

ED’s Investigation and Findings

The ED launched an inquiry under the Prevention of Money Laundering Act (PMLA), 2002, in response to the allegations. The investigation uncovered that Shankar had earned ₹11.5 crore for his role in the production of Enthiran, which included story development, screenplay writing, and directing the film.

Attachment of Assets

As part of the ongoing investigation, the ED has attached three immovable assets, estimated to be worth ₹10.11 crore, registered under Shankar’s name. These properties have been seized in accordance with the provisions of the PMLA, 2002.

Legal Consequences and Future Steps

This action highlights the ED’s determination to tackle allegations of copyright violations in the film industry. The properties will remain under the ED’s control while the legal process continues. Director Shankar has the opportunity to challenge this decision in a court of law.

This case serves as a significant reminder of the importance of safeguarding intellectual property in the creative sector and the potential legal ramifications of unauthorized use of original work.

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