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DPS International Gurgaon Hosts Royal Christmas Carnival for Aliya Charitable Trust

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DPS International Hosts “Royal Christmas” Carnival in Aid of Aliya Charitable Trust

Gurgaon, India, December 15, 2025: DPS International, Gurgaon, an IB continuum school, opened its campus for the lively “Royal Christmas” carnival to support Aliya Charitable Trust, a non-denominational nonprofit that provides critical medical aid and educational support to underprivileged children. Led by students, the event aimed to turn the school’s values of empathy and international-mindedness into concrete help for those in need.

 DPS International Hosts “Royal Christmas” Carnival in Aid of Aliya Charitable Trust

The day-long celebration brought together students, parents, alumni and the wider Gurgaon community for a joyful mix of amusement rides, food stalls serving global cuisines, games, student performances, artisanal crafts and interactive activities. Every element of the carnival was designed and managed by the school’s students and staff, reflecting the institution’s strong emphasis on service-as-action and community engagement.

Proceeds from the carnival will directly benefit Aliya Charitable Trust’s ongoing initiatives that include free eye-checkup camps, distribution of spectacles, prosthetic limbs for children, financial assistance for life-saving paediatric surgeries, vaccination drives and hygiene-awareness workshops in slums and villages.

Ms. Rima Singh, Head of School, DPS International, Gurgaon, noted, “At DPS International, we see education as a journey that shapes both the mind and the heart, helping students grow into compassionate global citizen.

Our Carnival truly reflects the spirit of the IB where students step forward to spread joy while responding to real needs around them. We are proud to walk alongside Aliya Charitable Trust in its commitment to ensuring that no child misses out on healthcare or education due to financial limitations,” she added.

With a vibrant multicultural community, the school encourages curiosity, global thinking, and all-round growth through academics, the arts, sports, and real-world experiences. This was beautifully reflected during the carnival parade, where students and parents walked the ramp together, celebrating sustainability through creative attire—turning a joyful moment into a meaningful step towards caring for a cleaner, greener world

The collaboration with Aliya Charitable Trust reinforces the school’s core belief that inclusive education and empathetic action are inseparable.

A member of the illustrious DPS Society and led by Pro Vice Chairperson Ms. Devyani Jaipuria, DPS International follows the full International Baccalaureate continuum – Primary Years Programme (PYP), Middle Years Programme (MYP) and Diploma Programme (DP).

The school welcomes parents and students for campus tours on select days during the week.

AboutSchool
DPS International is a member school of the DPS Society, which has to its credit over 200+. Delhi Public Schools in India and abroad. At the helm of affairs is the Pro Vice Chairperson, Ms Devyani Jaipuria. The student profile comprises a rich, diverse learning community from different nationalities.It is an International Baccalaureate (IB) continuum school offering the PYP (Primary Years Programme), MYP (Middle Years Programme) and the DP (Diploma Programme). These IB educational programmes aim to develop students’ academic, social and emotional well-being by focusing on international-mindedness and strong personal values.With a vision to develop lifelong learning skills in a time of exponential change.

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Events

The Riviera Rewritten: Cannes 2026’s Most Arresting Fashion Moments

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Cannes Part 2

CROISETTE CHRONICLES — PART II

“Sun, Silk & Studied Chaos”

If the first week of Cannes 2026 whispered, the second week grabbed you by the collar.

Cannes Part 2

A blush-pink strapless column gown arrived on the Croisette with the kind of quiet ferocity only a seasoned red carpet can absorb. Pearl-scattered at the bust, its satin surface caught every camera flash. It was paired with a voluminous silver-grey cocoon coat draped off both shoulders — not worn, deployed. Chandelier diamonds framed the ears, stacked rings adorned both hands, and sleekly pulled-back hair revealed a razor-sharp jawline. This was old Hollywood reconstructed by someone who found the original too polite.

Cannes Part 2

Then came the moment that stopped the Croisette mid-scroll: a chartreuse pleated one-shoulder gown, its fabric engineered into deep diagonal ridges sweeping from a sculpted shoulder down to a dramatic thigh-high slit. Photographed against palm trees and Mediterranean light, it looked less like an outfit and more like a natural phenomenon — moss-coloured, elemental, inevitable. A single emerald pendant rested at the throat. Loose waves, barely tamed, completed the look. The overall effect? A woman who dressed for the landscape, not the photographers — and somehow captivated both.

Cannes Part 2

Beside the sea, another story unfolded. A dark sequinned gown — midnight black fading into deep magenta — was worn against the backdrop of open water. Hair loosened by the wind, a glance thrown back over one bare shoulder. Delicate crystal chains descended the open back like jewellery transformed into architecture. No carpet, no crowd. Just Riviera light and the confidence to command it entirely.

Cannes Part 2

Then came the cultural statement that deserved its own paragraph: a halter-neck anarkali of extraordinary intricacy. Silver and blush floral embroidery spread across ivory silk, while a heavily diamond-encrusted halter neckline functioned as both collar and jewel. A maang tikka and oversized jhumkas completed a look worthy of museum display. A blush dupatta trailed behind with quiet drama. This was Indian couture presented not as a translation for a Western audience, but entirely on its own terms — unapologetic, uncompromising, and self-assured.

Finally, there was the fashion commentator who became the story. A multicoloured embroidered bandhgala blazer — alive with iridescent threadwork in mauve, teal, and gold — was paired with plum trousers and a galaxy of statement rings. Frameless glasses added restraint to the visual richness, while the smile carried a different message altogether: I dressed for myself first. At Cannes, where everyone performs for someone, that may be the most radical statement of all.

“The Riviera didn’t dress them. They dressed the Riviera.”

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Fashion Designer Amit GT and Le Marquise Jewellery by Jasmine Gulati Jain and Sambhav Jain Showcase Excellence Under the Golden Lumière Awards at the 79th Festival de Cannes 2026  Show Directed by Liza Varma

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Liza Verma along with Models

As part of India’s multi-platform presence at the 79th Festival de Cannes 2026, internationally renowned Show Director Liza Varma from India led a delegation of Indian designers and jewellery labels at the Fashion TV Presentation held on 18th May 2026 at the Majestic Hotel, Cannes, at 9:30 PM (CEST).

The showcase featured celebrated Indian designer Amit GT along with Le Marquise Jewellery by Jasmine Gulati Jain and Sambhav Jain, presenting a curated display of fashion and jewellery that reflected contemporary Indian design sensibilities on an international platform. Amit GT’s showcase was presented under the prestigious Golden Lumière Awards Cannes 2026, hosted at the Majestic Hotel Beach, Cannes.

Liza Verma along with Models

The Golden Lumière Awards show is hosted at the Majestic Hotel Beach, Cannes2026, where cinema meets luxury, celebrating outstanding personalities from international cinema along with visionary business leaders supporting art, culture, cinema, and the future generation of creators. The grand evening was attended by international personality Farhana Bodi and actress Urvashi Rautela, while actress Pooja Batra. The event was produced by Anna Neneman from ENW Showroom.

Model-wore-collection-by-Amit-GT-and-Le-Marquise-by-Jasmine-Gulati-and-Sambhav-Jain-at-Cannes-2026

Speaking about the showcase, Liza Varma said, “My focus is to create opportunities for Indian designers and talent to present their work in international environments. Cannes provides an important global platform to showcase the strength of Indian fashion, craftsmanship, and creative talent before an international audience.”

Held alongside the 79th edition of the Cannes Film Festival 2026, the presentation formed part of a larger initiative led by Liza Varma to create global visibility for Indian designers, jewellery labels, and creative talent through curated showcases and international collaborations at Cannes.

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“Echoes of Past and Future” Opens a Dialogue Between Generations of Indian Art at Divine Art Gallery, New Delhi

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Generations of Indian Art at Divine Art Gallery, New Delhi

Echoes of Past and Future, a group exhibition of modern and contemporary art, opened with a preview on Friday, 24 April 2026 at Divine Art Gallery, New Delhi. The exhibition is now open to the public and will remain on view until 10 May 2026.

Bringing together an exceptional selection of works, the exhibition features celebrated Indian modernists including S.H. Raza, Ram Kumar, F.N. Souza, Krishen Khanna, Sunil Das, A. Ramachandran, Paramjit Singh, Anjolie Ela Menon, Manu Parekh, and Himmat Shah, among others. It also showcases significant works by senior contemporary artists, including Yusuf and Ashok Bhowmick.

The exhibition presents a diverse range of artistic expressions through paintings, drawings, and sculptures, offering a dialogue between different periods and practices in Indian art. By placing works of modern masters alongside those of later generations, the show highlights both continuity and transformation in artistic language.

Anjolie Ela Menon’s contemplative figures evoke quiet introspection, while Manu Parekh’s vibrant landscapes convey intensity and movement. Sculptural works by Himmat Shah contribute a strong tactile and material dimension, enriching the visual experience. Together, the artworks create a dynamic interplay of styles, themes, and sensibilities.

Echoes of Past and Future invites viewers to reflect on the evolution of Indian modern and contemporary art, tracing its journey across time while pointing toward future directions and emerging possibilities.

Sumit Thakur, Founder of Divine Art Gallery, said, “Echoes of Past and Future brings together some of the most prominent voices in Indian modern and contemporary art, creating a meaningful dialogue across generations. By presenting works of masters alongside those of later artists, the exhibition reflects both continuity and evolution in artistic expression, offering viewers an opportunity to expand their understanding of diverse visual languages and to experience a rich artistic legacy that continues to influence contemporary practice.”

Exhibition Details:
Title: Echoes of Past and Future
Dates: 24 April – 10 May 2026
Timings: 11:00 AM – 7:00 PM (Open Daily)
Venue: Divine Art Gallery, F-213A, Old M.B. Road, Lado Sarai, New Delhi – 110030

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