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ALAYA MAKES HER RUNWAY DEBUT WITH SVA BY SONAM & PARAS MODI

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Bollywood’s new entrant Alaya F makes her runway debut for SVA by Sonam & Paras Modi as she emulates the Boho princess vibe for the coveted fashion week.

Her parents Farhan Furniturewalla & Laila Furniturewalla were in attendance to cheer the actor for her debut walk.

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Galeecha SR 2020 looks back into history to draw inspiration from Persia and Turkey, reflecting this through subtle yet breathtaking flowy fabrics and decedent hand embroideries and motifs, brings to you a story from the old souks and grand bazaars.

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The collection showcased is christened as “Galeecha”, the bygone regalia of Persia, inspired Sonam & Paras to re-imagine the magic of Persian Bazaar, Denim Couture and Print Parade.

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“Galeecha” is an amalgamation of prints from ancient Persian carpets, streamlining them with bold stripes and strong silhouettes. From flowy kaftans and maxis to skater dresses and jackets, this season SVA recreates the perfect holiday wardrobe. From abstract textures to geometric prints, from fluid florals to structured denim, this season Arya by SVA brings to you a Contemporary Resort Wear Collection.

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The intricate craftsmanship from the land of Persia dictated the core narration for this line of contemporary Indo Bohemian styles. Bathe in romantic hues of aquamarine, turquoise, and azure blue, this line celebrates the nuances of summer romance and grace.

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Star-Studded Premiere of Bharat Bhagya Vidhat

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Cast and crew of Bharat Bhagya Vidhata pose at the grand premiere event in New Delhi ahead of the film's release.
Prestigious Red Carpet Premiere of Bharat Bhagya Vidhata Held in New Delhi; A Stirring Tribute to Unsung Heroes of 26/11
New Delhi, June 9, 2026: The red-carpet premiere of Bharat Bhagya Vidhata unfolded amidst considerable excitement at PVR ECX, Chanakyapuri, bringing together members of the media, distinguished guests, industry professionals, and cinema enthusiasts for an evening dedicated to a story of courage, resilience, and quiet heroism. The event was graced by the presence of Delhi Chief Minister Rekha Gupta and Member of Parliament and lead actor Kangana Ranaut, adding further prominence to one of the year’s most anticipated releases.
Cast and crew of Bharat Bhagya Vidhata pose at the grand premiere event in New Delhi ahead of the film's release.

Written and directed by Manoj Tapadia and presented by PEN Studios in association with Manikarnika Films, Bharat Bhagya Vidhata is scheduled for theatrical release on June 12, 2026. Inspired by true events during the horrific 2008 Mumbai terror attacks, the film shifts attention away from conventional depictions of tragedy and instead illuminates the extraordinary actions of ordinary individuals working within Mumbai’s Cama Hospital. At its heart lies a powerful tribute to nurses, ward boys, security personnel, and hospital staff whose bravery ensured the safety of hundreds of patients during one of India’s darkest nights.

Cast and crew of Bharat Bhagya Vidhata pose at the grand premiere event in New Delhi ahead of the film's release.

Kangana Ranaut leads the film as a senior nurse inspired by the real-life heroism of Anjali Kulthe, delivering a performance rooted in determination and quiet strength. Supporting her is an accomplished ensemble featuring Girija Oak, Smita Tambe, Amrutha Namdev, Esha Dey, Suhita Thatte, and several others, each contributing meaningfully to a narrative that intentionally avoids portraying heroism as the achievement of a single individual. Instead, the film emphasises collective courage, illustrating how every member of the hospital staff became an indispensable part of a larger effort to protect vulnerable lives.

Cast and crew of Bharat Bhagya Vidhata pose at the grand premiere event in New Delhi ahead of the film's release.

Without venturing into spoiler territory, Bharat Bhagya Vidhata succeeds in immersing viewers in the tension and uncertainty of the situation. The screenplay maintains a commendable pace, ensuring that the emotional weight never overwhelms the narrative momentum. More importantly, the film serves as a timely reminder of the often-unrecognised contributions of nursing staff and hospital attendants. In moments of catastrophe, while doctors shoulder immense responsibility in critical care and decision-making, nurses and support workers are the constant presence, managing countless essential tasks that keep an institution functioning.
Beyond the screening itself, the premiere offered valuable insights into the filmmaking process. The evening was marked by a lively atmosphere, with extensive media interactions, cast interviews, and behind-the-scenes discussions. Members of the cast and crew shared their experiences portraying real-life events, the challenges of balancing historical sensitivity with cinematic storytelling, and the responsibility of representing individuals whose bravery largely went unrecognized by the public. These conversations provided a fascinating glimpse into the creative and emotional investment that shaped the production.

Perhaps the film’s greatest achievement lies in its ability to honour heroism without romanticising tragedy. In doing so, Bharat Bhagya Vidhata transforms a familiar chapter of history into a moving tribute to those whose actions saved lives but whose stories rarely occupied the spotlight. Combining emotional depth, strong performances, and a deeply respectful approach to its subject matter, the film stands as both an engaging drama and a deserving tribute to everyday heroes who became extraordinary when circumstances demanded it.

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The Riviera Rewritten: Cannes 2026’s Most Arresting Fashion Moments

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CROISETTE CHRONICLES — PART II

“Sun, Silk & Studied Chaos”

If the first week of Cannes 2026 whispered, the second week grabbed you by the collar.

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A blush-pink strapless column gown arrived on the Croisette with the kind of quiet ferocity only a seasoned red carpet can absorb. Pearl-scattered at the bust, its satin surface caught every camera flash. It was paired with a voluminous silver-grey cocoon coat draped off both shoulders — not worn, deployed. Chandelier diamonds framed the ears, stacked rings adorned both hands, and sleekly pulled-back hair revealed a razor-sharp jawline. This was old Hollywood reconstructed by someone who found the original too polite.

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Then came the moment that stopped the Croisette mid-scroll: a chartreuse pleated one-shoulder gown, its fabric engineered into deep diagonal ridges sweeping from a sculpted shoulder down to a dramatic thigh-high slit. Photographed against palm trees and Mediterranean light, it looked less like an outfit and more like a natural phenomenon — moss-coloured, elemental, inevitable. A single emerald pendant rested at the throat. Loose waves, barely tamed, completed the look. The overall effect? A woman who dressed for the landscape, not the photographers — and somehow captivated both.

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Beside the sea, another story unfolded. A dark sequinned gown — midnight black fading into deep magenta — was worn against the backdrop of open water. Hair loosened by the wind, a glance thrown back over one bare shoulder. Delicate crystal chains descended the open back like jewellery transformed into architecture. No carpet, no crowd. Just Riviera light and the confidence to command it entirely.

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Then came the cultural statement that deserved its own paragraph: a halter-neck anarkali of extraordinary intricacy. Silver and blush floral embroidery spread across ivory silk, while a heavily diamond-encrusted halter neckline functioned as both collar and jewel. A maang tikka and oversized jhumkas completed a look worthy of museum display. A blush dupatta trailed behind with quiet drama. This was Indian couture presented not as a translation for a Western audience, but entirely on its own terms — unapologetic, uncompromising, and self-assured.

Finally, there was the fashion commentator who became the story. A multicoloured embroidered bandhgala blazer — alive with iridescent threadwork in mauve, teal, and gold — was paired with plum trousers and a galaxy of statement rings. Frameless glasses added restraint to the visual richness, while the smile carried a different message altogether: I dressed for myself first. At Cannes, where everyone performs for someone, that may be the most radical statement of all.

“The Riviera didn’t dress them. They dressed the Riviera.”

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Fashion Designer Amit GT and Le Marquise Jewellery by Jasmine Gulati Jain and Sambhav Jain Showcase Excellence Under the Golden Lumière Awards at the 79th Festival de Cannes 2026  Show Directed by Liza Varma

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Liza Verma along with Models

As part of India’s multi-platform presence at the 79th Festival de Cannes 2026, internationally renowned Show Director Liza Varma from India led a delegation of Indian designers and jewellery labels at the Fashion TV Presentation held on 18th May 2026 at the Majestic Hotel, Cannes, at 9:30 PM (CEST).

The showcase featured celebrated Indian designer Amit GT along with Le Marquise Jewellery by Jasmine Gulati Jain and Sambhav Jain, presenting a curated display of fashion and jewellery that reflected contemporary Indian design sensibilities on an international platform. Amit GT’s showcase was presented under the prestigious Golden Lumière Awards Cannes 2026, hosted at the Majestic Hotel Beach, Cannes.

Liza Verma along with Models

The Golden Lumière Awards show is hosted at the Majestic Hotel Beach, Cannes2026, where cinema meets luxury, celebrating outstanding personalities from international cinema along with visionary business leaders supporting art, culture, cinema, and the future generation of creators. The grand evening was attended by international personality Farhana Bodi and actress Urvashi Rautela, while actress Pooja Batra. The event was produced by Anna Neneman from ENW Showroom.

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Speaking about the showcase, Liza Varma said, “My focus is to create opportunities for Indian designers and talent to present their work in international environments. Cannes provides an important global platform to showcase the strength of Indian fashion, craftsmanship, and creative talent before an international audience.”

Held alongside the 79th edition of the Cannes Film Festival 2026, the presentation formed part of a larger initiative led by Liza Varma to create global visibility for Indian designers, jewellery labels, and creative talent through curated showcases and international collaborations at Cannes.

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